Primetimely

‘Tis the season for development, and Lynette Rice at EW.com has released a list of the pilots the broadcast networks are considering. (Bear in mind that only a fraction of these shows will make it to the airwaves.) After perusing the list, I’ve reached the following conclusions:

• The public’s desire for shows about cops, doctors, and lawyers is still insatiable. By [...]

For a recent homework assignment, our professor wanted us to watch three consecutive hours of television on any cable channel. Of course I procrastinated and had to pick from the offerings on the last possible day. I chose to watch the midday Wednesday MTV lineup, which were amusing if not insipid episodes of Disaster Date and True Life. When it came time to analyze the programming, I ruminated on MTV’s current situation.

But first, here’s a little state-of-the-network address. [...]

Rarely do shows get to end on the creators’ own terms, especially those that are cancelled. And even though Bryan Fuller surely would have preferred a more robust ending to his much-beloved fantasy noir Pushing Daisies, the show didn’t exit on a cliffhanger or, worse, with the whimper of a total non-ending, as some do.

No, he was able to whip together an epilogue to tack on to the cliffhanger ending of “Kerplunk,” the [...]

Now that I’ve finally watched the last hour of the 61st Annual Emmy Awards, I can confidently say that this year’s broadcast was one of the best in recent history. And here are my favorite aspects of the big show:

• Neil Patrick Harris. Coming off of last year’s terrible hosting job by otherwise talented reality-TV hosts, Neil Patrick Harris did a hell of a job as emcee. I haven’t seen much of [...]

Why do we enjoy Top Chef so much? Aside from the fact that it’s one of the few respectable, legitimate competition shows, and aside from the fact that we are all gluttons for culinary-inferiority punishment, why do we watch a show in which we cannot participate? With So You Think You Can Dance, you can see the dances. With Project Runway, you can see the designs. But with Top Chef, you cannot taste the food. You [...]

When you watch as much television as I do, you see familiar faces all the time, and then you have to ask yourself (or IMDb), “Where have I seen him/her before?” For example, I’m watching the first season of House, and I’ve recognized guest stars from elsewhere in thirteen of the first fifteen episodes.

And then there are actors like Michelle Forbes and Željko [...]

To know me is to know my profound distaste for American Idol. I hate the show not only because it employs some of the worst of reality-television practices, but also because more-deserving shows don’t stand a chance when they’re scheduled against it. So it always delights me when I hear of news that could damage the show’s standing, and recently, I’ve been very happy. First Paula Abdul quit the show, and now a video of Simon Cowell [...]

The following post was originally published on my old blog on July 7, 2009.

After watching the second-season finale of Breaking Bad, the dramatic series about a chemistry-teacher-turned-meth-dealer desperate to not let his cancer treatment bankrupt his family, I had one thought: thank God this show is on AMC.

With the premiere of Mad Men two years ago, AMC went from musty movie channel to leading cable destination overnight. And now with the [...]

The following post was originally published on my old blog on June 28, 2009.

Lately, the trend regarding opening titles has been to make them as short as possible. Gone are the days of ones lasting a minute-and-a-half. And rapidly going are the days of ones lasting thirty seconds. For example, both Grey’s Anatomy and Desperate Housewives once had excellent sequences—a satirical look of the representation of women in art, and a clever montage of love lives and professional lives [...]

The following post was originally published on my old blog on April 1, 2009.

One of my favorite practices this season was Fox’s “remote-free TV” model, in which the networks aired fewer commercials during each episode of Fringe and Dollhouse—while charging advertisers more for the exclusivity—in an effort to keep viewers watching live, instead of recording the shows and fast-forwarding through the commercials. I liked it because, as a result, each episode’s running time was 49 or 50 minutes, instead of just [...]