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	<title>Primetimely &#187; Californication</title>
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		<title>2009 Primies: Best Episodes</title>
		<link>http://primetimely.com/2010/01/2009-primies-best-episodes/</link>
		<comments>http://primetimely.com/2010/01/2009-primies-best-episodes/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 22:58:38 +0000</pubDate>
		<dc:creator>Dan Clarendon</dc:creator>
				<category><![CDATA[Raves]]></category>
		<category><![CDATA[30 Rock]]></category>
		<category><![CDATA[Battlestar Galactica]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Californication]]></category>
		<category><![CDATA[Damages]]></category>
		<category><![CDATA[Dollhouse]]></category>
		<category><![CDATA[Fringe]]></category>
		<category><![CDATA[Glee]]></category>
		<category><![CDATA[Grey's Anatomy]]></category>
		<category><![CDATA[Lie to Me]]></category>
		<category><![CDATA[Lost]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Modern Family]]></category>
		<category><![CDATA[Parks and Recreation]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Top Chef]]></category>
		<category><![CDATA[True Blood]]></category>

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			<content:encoded><![CDATA[<p><a rel="attachment wp-att-350" href="http://primetimely.com/2010/01/2009-primies-best-episodes/battlestar-galactica/"><img class="aligncenter size-full wp-image-350" title="James Callis, Tricia Helfer, and Ronald D. Moore in &quot;Battlestar Galactica&quot;" src="http://primetimely.com/wp-content/uploads/2010/01/Battlestar-Galactica-e1263509839290.jpg" alt="" width="600" height="318" /></a></p>
<p style="text-align: justify;">Aloha, dear TV junkies.  I may be on vacation, but thanks to some coffeshop wi-fi, I&#8217;m still able to update this here blog with cinnamon-bun-sticky fingers.  Surely you didn&#8217;t think I&#8217;d forgotten about honoring the best small-screen moments of 2009!  Listed below are my favorite episodes across the airwaves from all of last year.  Is the list comprehensive?  Maybe not.  Does the order tend to be arbitrary?  Perhaps.  But still, I believe this to be a pretty good representation of 2009&#8217;s highlights.  Writers and directors of the below episodes, I raise my iced-coffee cup to you.</p>
<ol>
<li>
<div style="text-align: justify;"><strong><em>Battlestar Galactica</em> &#8220;Daybreak, Part 2&#8243;</strong>  No matter if you loved the end or hated it, the final two hours of this show boldly went where no show has gone before. A catastrophic first hour was followed by a contemplative second. The epic space saga went out with a bang and then a whisper.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Mad Men</em> &#8220;Shut the Door, Have a Seat&#8221;</strong>  After an intense season of smoldering interpersonal drama, this episode was one of the most light-hearted and cathartic. In the vaguest terms I can use, Don closed some doors and opened others. He reinvented himself, and the show was reborn anew.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Breaking Bad</em> &#8220;Phoenix&#8221;</strong>  Often the penultimate episode of a season is just as climactic as the finale, as proven by <em>Breaking Bad</em>. Without spoiling anything, it was Walter White’s inaction during a gut-wrenching dilemma that made this episode so powerful.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Glee</em> &#8220;Sectionals&#8221;</strong>  Between Mercedes’s powerful “And I Am Telling You” rendition, Rachel’s “Don’t Rain on My Parade” showstopper, and the club’s “My Life Would Suck Without You” dedication, the musical numbers in this fall finale were brilliant enough to tide us over until the show’s return in spring.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>30 Rock</em> &#8220;Apollo, Apollo&#8221;</strong>  It’s hard to top Jack Donaghy’s excitement-puking and Kenneth’s Muppet-vision, but what made this episode the best of its season was the Polish singles’ line commercial that a young Liz Lemon debased herself by appearing in. Remember, just call 1-800-OKFACE.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Dollhouse</em> &#8220;Omega&#8221;</strong>  After the startling return of rogue-doll Alpha at the end of the preceding episode, this episode shows the making (read: programming) of a maniac. The Dollhouse made its bed, and now it might have to die in it!</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Breaking Bad</em> &#8220;Negro y Azul&#8221;</strong>  Any episode that starts with a mariachi band and ends with an exploding turtle surely deserves a spot high on this list.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Lost</em> &#8220;Dead is Dead&#8221;</strong>  It’s Judgment Day for the conniving Benjamin Linus as “the Island” takes him on a painful trip down memory lane. By the end, his relinquishing of power leaves him impotent… and dangerously desperate.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Glee</em> &#8220;Pilot”</strong>  FOX was so excited about this episode, the network aired it four months before the series even started. With the well-crafted song-and-dance numbers, the satirical commentary on the high school food chain, and the hilarious immaturity of the show’s adult characters, I could not stop believing that <em>Glee</em> would be a hit.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Grey&#8217;s Anatomy</em> &#8220;Here&#8217;s to Future Days/Now or Never&#8221;</strong>  This show may be showing its age, but watching the end of this fifth-season finale was tantamount to mainlining adrenaline when the identity of the heroic (and doomed) John Doe was realized.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Californication</em> &#8220;The Apartment&#8221;</strong>  A day of reckoning comes for Hank Moody when all the major players in his life coincidentally convene under one roof. In true farce-like fashion, he scrambles to accommodate his girlfriend, his mistresses, his mistress’s husband, his daughter, his best friend, a few random prostitutes, and Rick Springfield, all the while trying to keep his indiscretions under wraps.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Modern Family</em> &#8220;Pilot&#8221;</strong>  The premise is simplistic—the daily travails of three families that are “nuclear” for the new millennium—but the writing and acting is refined. Oh, and the show happens to be hilarious. With this episode alone, this show skyrocketed to the elite of half-hour comedies.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>So You Think You Can Dance</em> &#8220;Top 20 Showcase&#8221;</strong>  This was an episode without missteps—just the top twenty competitors dancing in their own genres, resulting in routines that were almost unmatched by the rest of the season. (<em>Almost</em>.) What was otherwise a filler episode turned into the best hour of the season.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Fringe</em> &#8220;There&#8217;s More Than One of Everything&#8221;</strong>  John Noble’s most impressive acting came when his character revisited the memories of a beach house with his son. And the alternate-reality story thread tangles as Olivia finds herself in the most improbable of locations in the ballsy cliffhanger.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Lost</em> &#8220;The Life and Death of Jeremy Bentham”</strong>  At last, we discover how He Who Shall Be Named Jeremy Bentham died. Frustrated by his failure to get the gang back together and feeling spurned by destiny, he decides to take his own life. But his real cause of death, which we find out minutes later, is even darker.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Parks and Recreation</em> &#8220;Beauty Pageant&#8221;</strong>  One of the first episodes of the season, this installment solidified <em>Parks and Recreation</em>’s status as suddenly brilliant. Example Leslie Knope line: “This [mural] depicts a famous fight between Reverend Bradley and Anna Beth Stevenson, widowed mother of seven. The original title of this was ‘A Lively Fisting.’ But, you know, they had to change it… for obvious reasons.”</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Damages</em> &#8220;Trust Me&#8221;</strong>  Flash-forwards as a narrative technique are a hot ticket right now, but <em>Damages</em> uses them in a brilliantly manipulative way, revealing a little more of certain scenes in each episode. And in “Trust Me,” all the cards are laid out in this punch-out ending to a gripping season.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>True Blood</em> &#8220;I Will Rise Up&#8221;</strong>  It started with an act of terrorism perpetrated by humans and ended with an act of tenderness by a human—Sookie Stackhouse—surprising the millennia-old Godric, who had seen the worst of our race’s behavior in his lifetime. Plus, this episode featured another dialogue gem from Lafayette: &#8220;I don&#8217;t know what you is, but I&#8217;m feelin&#8217; you, and you a soulless bitch.&#8221;</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Top Chef</em> &#8220;Finale, Part 1&#8243;</strong>  No matter what you thought of this season’s winner (or even the order of the runners-up), all Top Chef viewers could agree that Keven, Jennifer, and the Voltaggios were the four best contenstants. And to see them duke it out in Napa Valley (aboard a moving train, no less) was a treat.</div>
</li>
<li>
<div style="text-align: justify;"><strong><em>Lie to Me</em> &#8220;The Core of It&#8221;</strong>  Like Parks and Recreation, this procedural drama also came back from its hiatus creatively reinvigorated. In this episode, Cal Lightman and his group have to contend with a murder witness with multiple personalities. Not only do they have to figure out which of her multiple personalities saw the crime, but they also have to find a way to trigger that personality. Guest star Erika Christiansen is scary-good as Sophie/Trisha/Jessie/RJ.</div>
</li>
</ol>
]]></content:encoded>
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		<item>
		<title>41 Shows Reviewed in 140 Characters or Less</title>
		<link>http://primetimely.com/2009/12/41-shows-reviewed/</link>
		<comments>http://primetimely.com/2009/12/41-shows-reviewed/#comments</comments>
		<pubDate>Thu, 24 Dec 2009 01:09:34 +0000</pubDate>
		<dc:creator>Dan Clarendon</dc:creator>
				<category><![CDATA[Rants]]></category>
		<category><![CDATA[Raves]]></category>
		<category><![CDATA[24]]></category>
		<category><![CDATA[30 Rock]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Brothers & Sisters]]></category>
		<category><![CDATA[Burn Notice]]></category>
		<category><![CDATA[Californication]]></category>
		<category><![CDATA[Chuck]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[Curb Your Enthusiasm]]></category>
		<category><![CDATA[Damages]]></category>
		<category><![CDATA[Desperate Housewives]]></category>
		<category><![CDATA[Dollhouse]]></category>
		<category><![CDATA[Entourage]]></category>
		<category><![CDATA[FlashForward]]></category>
		<category><![CDATA[Flashpoint]]></category>
		<category><![CDATA[Fringe]]></category>
		<category><![CDATA[Glee]]></category>
		<category><![CDATA[Gossip Girl]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[Grey's Anatomy]]></category>
		<category><![CDATA[Heroes]]></category>
		<category><![CDATA[Lie to Me]]></category>
		<category><![CDATA[Lost]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Men of a Certain Age]]></category>
		<category><![CDATA[Modern Family]]></category>
		<category><![CDATA[Nip/Tuck]]></category>
		<category><![CDATA[Parks and Recreation]]></category>
		<category><![CDATA[Private Practice]]></category>
		<category><![CDATA[Project Runway]]></category>
		<category><![CDATA[Smallville]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[The Amazing Race]]></category>
		<category><![CDATA[The Good Wife]]></category>
		<category><![CDATA[The Office]]></category>
		<category><![CDATA[Top Chef]]></category>
		<category><![CDATA[Top Chef Masters]]></category>
		<category><![CDATA[True Blood]]></category>
		<category><![CDATA[Ugly Betty]]></category>
		<category><![CDATA[V]]></category>
		<category><![CDATA[Warehouse 13]]></category>

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		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-329" title="Rose Byrne in &quot;Damages&quot;" src="http://primetimely.com/wp-content/uploads/2009/12/Damages.jpg" alt="Rose Byrne in &quot;Damages&quot;" width="600" height="338" /></p>
<p style="text-align: justify;"><em>Note: The following post first appeared as an article by the same name in </em>The Climax<em>, Hampshire College’s newspaper. Also, some of these micro-reviews may exceed 140 characters—my bad!</em></p>
<p style="text-align: justify;">I am a student of television.  Writing television scripts is my Division III [a senior project, in Hampshire speak].  So I have no shame in the fact that I watch all of the shows below religiously.  I study the craft, folks.  That’s a lie—I am ashamed of some of them, but I’m feeling forthright in my fourth-year-ness.  Anyway, I only assumed that I couldn’t review all my shows for The Climax before I graduate.  And then it occurred to me: I could review each in 140 characters or less.  (Arbitrary number, I  swear.)</p>
<ul style="text-align: justify;">
<li><strong>24</strong> Some seasons fire on all cylinders, and some make you want to shoot yourself in the kneecap.  But I&#8217;m still a fan of the Bauer Power Hour.</li>
<li><strong>30 Rock</strong> Is Tina Fey God? Even if not, this show is in my pantheon. 22 Emmy nominations this year alone. What the what?</li>
<li><strong>The Amazing Race</strong> A competition show and a geography lesson all in one.  Plus the race just looks like such a globetrotting thrill.</li>
<li><strong>Breaking Bad</strong> Brilliance you&#8217;ve likely never seen. Bryan Cranston (as a reluctant meth dealer) and Aaron Paul (as his witless lackey) are a wondrous team.</li>
<li><strong>Brothers &amp; Sisters</strong> Created by playwright Jon Robin Baitz, powerful character drama pervades this series about the virtues and frustrations of family life.</li>
<li><strong>Burn Notice </strong> Ex-spy Michael Westen is a MacGyver for the new century.  Plus he narrates his creative process!  Plus Bruce Campbell plays the sidekick!</li>
<li><strong>Californication </strong> Man-child Hank Moody is David Duchovny&#8217;s (comedic) role of a lifetime. And the show featured Hampshire band Bubonic Souls last week.</li>
<li><strong>Chuck</strong> Put a self-described nerd in a world of government conspiracies and sexy secret agents, and hilarity ensues.  Such a lovable show.</li>
<li><strong>Community</strong> A comedy about a community college study group that&#8217;s not quite up to snuff but getting better each week.</li>
<li><strong>Curb Your Enthusiasm</strong> Schadenfreude at a fever pitch.  Larry David is such an incorrigible ass, but you can&#8217;t help siding with him in all of his curmudgeonliness.</li>
<li><strong>Damages</strong> Vicious legal thriller with Glenn Close and Rose Byrne. Season 2&#8217;s powerhouse cast included William Hurt, Marcia Gay Harden, and Ted Danson.</li>
<li><strong>Desperate Housewives</strong> What do I have in common with middle-aged, lovelorn women?  Uh, not much. But this show is still a fun look at the seediness of the suburbs.</li>
<li><strong>Dollhouse</strong> Engineered personalities, ethical perversions, and intense action make this (cancelled) show radically different.  Well done, Joss Whedon.</li>
<li><strong>Entourage</strong> Not the sharpest tool in the shed, but still a comical insight into the biz and a testament to lifelong friendship.  (&#8220;Lloyd!&#8221;)</li>
<li><strong>FlashForward</strong> An ambitious fate-vs.-free-will drama with a laudable cast.  But can its premise sustain it for more than this season?</li>
<li><strong>Flashpoint</strong> This Canadian import, about a hostage negotiation team in Toronto, is edge-of-your-seat tense.  Plus Veronica Mars&#8217;s dad is the lead!</li>
<li><strong>Fringe</strong> Like <em>The X-Files</em>, only with a more mind-warping mythology and the addition of one raving-mad, madly-funny scientist.  Freaky good times had by all.</li>
<li><strong>Glee </strong> This high-school satire is so much fun, thanks to a stellar cast, its show-stopping covers of pop songs, and the incomparable Jane Lynch.</li>
<li><strong>The Good Wife</strong> What makes this legal drama intriguing is that the protagonist—played by Julianna Margulies—is the jilted wife of an adulterous politician.</li>
<li><strong>Gossip Girl</strong> Used to be a salacious indulgence. But they had to match everyone up in an endless cycle of hook-ups and break-ups.  What a mess.</li>
<li><strong>Greek </strong> If <em>Gossip Girl</em> had a sharper, wittier, more accessible, yet less popular twin sister, her name would be <em>Greek</em>.</li>
<li><strong>Grey’s Anatomy</strong> Melodramatic, yes, but the relationship drama is sophisticated and smartly executed.  But its hard to watch if you&#8217;re single, dammit!</li>
<li><strong>Heroes</strong> Holy Hiro, what the hell happened to this show?  This once-great serial has suffered bloated storylines and botched mythology. Shut it down.</li>
<li><strong>Lost</strong> The most revolutionary show on this list, nay, of the decade. Season 5 was a creative resurgence that was so awesomely challenging to watch.</li>
<li><strong>Lie to Me</strong> An unconventional procedural drama that&#8217;s proven to be surprisingly un-formulaic. And Tim Roth doesn&#8217;t even have to use an American accent!</li>
<li><strong>Mad Men</strong> If you&#8217;re not in love with this elegant, introspective, and smoldering drama, you just haven’t seen enough of it.</li>
<li><strong>Men of a Certain Age</strong> Three old friends have midlife revelations.  This show just started, but I like what I’ve seen.  It’s like <em>Garden State</em>—plus twenty years.</li>
<li><strong>Modern Family </strong> Funniest new show of the season.  Believe it.</li>
<li><strong>Nip/Tuck</strong> Not as deeply cutting as it was in its youth, but now it&#8217;s superficially fun and bat-shit crazy.  Can&#8217;t complain too much.</li>
<li><strong>The Office</strong> Just when I think it has lost its mojo, it pulls a &#8220;Koi Pond&#8221; episode or &#8220;Subtle Sexuality&#8221; webisode to remind us all of its wit.</li>
<li><strong>Parks and Recreation</strong> Started off as an <em>Office</em> clone but came back roaring in its second season.  Now it rivals its predecessor for laughs.</li>
<li><strong>Private Practice</strong> A spectacular cast and interesting storylines, but I still wish Addison would go back to Seattle Grace.  Maybe everyone can go along!</li>
<li><strong>Project Runway</strong> I&#8217;m probably not the right demographic for this catty show, but who cares. I just hope Tim Gunn would approve of my wardrobe.</li>
<li><strong>Smallville</strong> Never &#8220;super&#8221; but never terrible, <em>Smallville</em> is reliable entertainment even after eight years. One of the only good things the CW can offer.</li>
<li><strong>So You Think You Can Dance</strong> The most legit and diverse dance competition. The talent gets more absurd each season. YouTube &#8220;Ellenore &amp; Jakob &#8211; Contemporary&#8221; for proof.</li>
<li><strong>Top Chef</strong> In a world of hamburger reality shows, <em>Top Chef</em> is a filet mignon with escargot, grilled ramps, chanterelle mushrooms and yuzu—i.e. refined.</li>
<li><strong>Top Chef Masters</strong> The nation&#8217;s top chefs compete.  Of course it’s good.</li>
<li><strong>True Blood</strong> I reviewed this show already this semester!  Suffice it to say, it&#8217;s addictive.</li>
<li><strong>Ugly Betty</strong> In this refreshing comedic drama, Betty maintains a beautiful can-do spirit as she navigates the (hilariously) bitchy world of fashion.</li>
<li><strong>V </strong> This series about tensions between humans and alien &#8220;Visitors&#8221; is off to a promising start, but lamely, we only get four episodes this year.</li>
<li style="text-align: justify;"><strong>Warehouse 13</strong> Undecided about this show. I dig the whole &#8220;America&#8217;s attic&#8221; notion and the leads&#8217; chemistry, but some of the episodes have been, uh, hokey.</li>
</ul>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>The Hierarchy of Obsessiveness</title>
		<link>http://primetimely.com/2009/08/heirarchy-of-obsessiveness/</link>
		<comments>http://primetimely.com/2009/08/heirarchy-of-obsessiveness/#comments</comments>
		<pubDate>Sat, 01 Aug 2009 21:12:20 +0000</pubDate>
		<dc:creator>Dan Clarendon</dc:creator>
				<category><![CDATA[Inner Monologues]]></category>
		<category><![CDATA[24]]></category>
		<category><![CDATA[30 Rock]]></category>
		<category><![CDATA[American Idol]]></category>
		<category><![CDATA[Battlestar Galactica]]></category>
		<category><![CDATA[Californication]]></category>
		<category><![CDATA[Chuck]]></category>
		<category><![CDATA[CSI]]></category>
		<category><![CDATA[Damages]]></category>
		<category><![CDATA[Friday Night Lights]]></category>
		<category><![CDATA[Friends]]></category>
		<category><![CDATA[Grey's Anatomy]]></category>
		<category><![CDATA[Heroes]]></category>
		<category><![CDATA[Law & Order]]></category>
		<category><![CDATA[Lost]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[NCIS]]></category>
		<category><![CDATA[Pushing Daisies]]></category>
		<category><![CDATA[Terminator: The Sarah Connor Chronicles]]></category>
		<category><![CDATA[The Office]]></category>
		<category><![CDATA[The Wire]]></category>
		<category><![CDATA[True Blood]]></category>

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			<content:encoded><![CDATA[<p><img src="http://primetimely.com/wp-content/uploads/2009/08/Hierarchy.jpg" alt="The Hierarchy of Obsessiveness" title="The Hierarchy of Obsessiveness" width="600" height="147" class="aligncenter size-full wp-image-86" /></p>
<p style="text-align: justify;"><em>The following post was originally published on my old blog on February 4, 2009.  Updates to this post are noted below.</em></p>
<p style="text-align: justify;">Under some pretense of being an organized person (ha!), I keep a very meticulous list of the episodes I have yet to see for all the shows I follow. And I&#8217;ve noticed definite trends regarding my level of addiction to certain shows—or the lack thereof—as shown in the following categories. (I should point out that this is nowhere near a comprehensive list!)</p>
<p style="text-align: justify;"><strong>Must-See TV </strong>I want to see it, and I want to see it now.</p>
<ul style="text-align: justify;">
<li><em>Battlestar Galactica</em></li>
<li><em>Lost</em></li>
<li><em>30 Rock</em></li>
<li><em>Grey&#8217;s Anatomy</em></li>
<li><em>Chuck</em></li>
</ul>
<p style="text-align: justify;"><strong>Will-See TV </strong>I love it, but I might be a few episodes behind.</p>
<ul style="text-align: justify;">
<li><em>24</em></li>
<li><em>Heroes </em>(Update: Lo, how the mighty <em>Heroes </em>has fallen.)</li>
<li><em>Mad Men</em></li>
<li><em>Damages</em></li>
<li><em>Californication</em></li>
</ul>
<ul style="text-align: justify;"></ul>
<p style="text-align: justify;"><strong>Might-See TV </strong>I&#8217;ve liked what I&#8217;ve seen, but I have a serious backlog.</p>
<ul style="text-align: justify;">
<li><em>Pushing Daisies</em></li>
<li><em>Terminator: The Sarah Connor Chronicles</em></li>
<li><em>True Blood</em> (Update: The more I watch this, the more I love it.)</li>
</ul>
<p style="text-align: justify;"><strong>Should-See TV </strong>I know, I know, I have to watch it. So you keep telling me!</p>
<ul style="text-align: justify;">
<li><em>The Wire</em></li>
<li><em>Friends</em></li>
<li><em>Friday Night Lights</em></li>
<li><em>The Office </em>(Update: I got caught up in April, and this is must-see TV now.)</li>
</ul>
<p style="text-align: justify;"><strong>Won&#8217;t-See TV </strong>No, thank you.</p>
<ul style="text-align: justify;">
<li><em>CSI</em></li>
<li><em>NCIS</em></li>
<li><em>Law &amp; Order</em></li>
<li style="text-align: justify;"><em>American Idol</em></li>
</ul>
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