For those of you wondering where the latest installment of my Lost re-watch is, don’t fret. I’ve decided to take a two week hiatus after every two seasons just to publish a few other non-Lost stories for the non-Lost fans. (Blog post variety is the spice of life.) And here it is Emmy time again! As I said last year, I’m not predicting the winners here, mind you, but stating for whom I’m rooting. I haven’t seen all of the nominated shows and performances, but from what I have seen, here are my picks for some of the top categories.

Outstanding Drama Series
Lost

I know, this post was supposed to be non-Lost, right? But this show should be commended for providing a powerful and daring end to the Island saga—and one that was incredibly satisfying emotionally (if not mythologically). And as far as cultural touchstones for the decade go, Lost tops this particular list of nominees.

Outstanding Comedy Series
Modern Family

Based on the per-episode number of laughs-out-loud, this show takes the cake. If there were a category for comedic drama (or dramatic comedy, rather), then I’d give that award to Glee.

Outstanding Lead Actor – Drama Series
Matthew Fox (Lost)

His performance in the last hour of Lost alone merits this award, I think. Re-watching the show, I’m struck by how good of an actor he is in all scenarios. If he ever missteps, I certainly never notice.

Outstanding Lead Actress – Drama Series
Julianna Margulies (The Good Wife)

The show itself is a fascinating look into one person’s struggle to forgive and another’s struggle earn forgiveness. And Margulies—playing the former—is the anti-scenery chewer: she’s all internal, and yet we can somehow sense and understand every emotion.

Outstanding Lead Actor – Comedy Series
Matthew Morrison (Glee)

I half-hope Larry David wins, but Morrison’s combination of humor, emotion, singing abilities, dance movies, and—yes—hair gel is entirely far too winning to ignore.

Outstanding Lead Actress – Comedy Series
Amy Poehler (Parks & Recreation)

It’s a crime that the show as a whole wasn’t nominated, but I think a win for the much-deserving Poehler would adequately reward Parks and Recreation’s second-season reinvention into a show that is equal to (if not superior to) its predecessor, The Office.

Outstanding Supporting Actor – Drama Series
Michael Emerson (Lost)

Again, I gotta stick by my love for Lost on this one. Emerson is an awe-inspiring actor, and somehow he and the writers transformed Ben from the show’s greatest villain to a tragic soul desperate for redemption who actually becomes likable as a person by the end.

Outstanding Supporting Actress – Drama Series
Elisabeth Moss (Mad Men)

I’d be happy if any of the actresses nominated in this category won, but I think Moss showed the most range this past season. Peggy is coming into her own as a near-equal to the agency’s partners, yet Moss still plays her with the perfect amount of dorkiness and vulnerability.

Outstanding Supporting Actor – Comedy Series
Eric Stonestreet (Modern Family)

It’s so hard to choose between the three Modern Family actors nominated, but I think you’d be hard-pressed to find any fan of the show who doesn’t list Cam among his or her favorite characters.

Outstanding Supporting Actress – Comedy Series
Jane Lynch (Glee)

No question. Sue Sylvester is the bitchiest, most fiendish, and most quotable characters to grace the small screen in years. Good on ya, Jane Lynch.

Outstanding Reality Competition Program
The Amazing Race

I know this show has won so many times before, but it’s just so thrilling, amusing, and even educational at times. I mean, who doesn’t want to compete on this show?

]]> http://primetimely.com/2010/08/2010-emmys-my-winners/feed/ 1 http://primetimely.com/2010/07/as-seen-on-tv/ http://primetimely.com/2010/07/as-seen-on-tv/#comments Tue, 06 Jul 2010 03:17:13 +0000 Dan Clarendon http://primetimely.com/?p=574

If you’re a diehard fan of a show, you can proclaim your love loud and proud with your standard t-shirt bearing the show’s logo. But sometimes, you want merchandise that’s a bit less conventional. Maybe a bit less straightforward. Maybe a bit more of an insider-y reference. For such occasions, I recommend the following items.

Merlotte’s Neon Sign The perfect accompaniment for your bar/liquor cabinet/Tru Blood cooler, this neon sign harks back to the favorite watering hole of Bon Temps, Louisiana. If you’re more the fangbanger type, a Fangtasia sign is also available, and it’s only a matter of time before we see a Lou Pine’s variant.

The Office Sign Not much ambiguity here, but this door sign is highly emblematic of the show. The Office has one of the most bountiful online stores, with hundreds of items available. If you want to continue making your home resemble the Dunder Mifflin workplace, you can also get personalized name plates, reprints of Pam’s artwork, and bobbleheads of almost all the employees.

Top Chef Logo Jacket What better way to say “I’m not your bitch, bitch” than to don this jacket and tell all who enter the kitchen that you mean business. Food—instantly better. Atmosphere—instantly more intimidating. Of course, to complete the look, you also need the Top Chef pants, the Top Chef apron, the Top Chef oven mitt, and the Top Chef knives. (And no one’s gonna tell you to pack them and go.)

Jeffster Poster Promote the Buy More’s homegrown cover band by purchasing this poster, sporting the trademark coifs of the Nerd-Herders-cum-rockstars Jeff and Lester. Let everyone know you support the arts, dubious as they may be.

Lost Prints When graphic designer Ty Mattson wanted to craft invitations to his Lost viewing party, he created eight Saul-Bass-esque works of art, each iconic of a specific aspect of the show. Two are available for purchase as prints (and as t-shirts and even skateboards) at the ABC Store.

Tracy Jordan TJ Pendant T-Shirt Even if you haven’t achieved the almighty EGOT status, you can still match Tracy Jordan’s swagger with this blinged-out t-shirt. Take it from a proud owner of this shirt, people on the street certainly do look at you differently.

Mad Men Barbie Dolls If you want to reenact Mad Men’s hot-blooded office politics and smoldering trysts, now you can, with these miniature versions of the main characters which are not creepy at all. But I don’t know how you’re going to find a pack of Lucky Strikes that are to scale.

Metal Dharma Signs If you’re working on transforming your living room into a Dharma hatch—buying Geronimo Jackson on vinyl, finding the right ping-pong table, keeping that pesky electromagnetic field under control—then these metal signs are a must-have. Unfortunately, the Dharma Initiative Alarm Clock seems to still be in the theoretical stages.

• Steven Spielberg is in talks with FOX to develop a dinosaur drama! (That sentence begged for an exclamation point.) The project, tentatively titled Terra Nova, would see a family from the future travel to prehistoric times. But obviously, it might be too ambitious a project to produce: think of how hard it’d be to round up all the dinosaur actors in Los Angeles and fly them out to some remote jungle to start filming.
• ABC family renewed Greek for a fourth season, which creator Sean Smith says will be its last, telling Entertainment Weekly, “We’re all looking at this as an opportunity to come back, wrap up the show, and end strong. ABC Family could’ve ended it, but they gave us this opportunity and I don’t want to squander it.”
• A&E is getting back into the drama game with a series called Sugarloaf, in which a framed Chicago detective flees to the titular small town in Florida. The series will star Aussie actor Matt Passmore and Lost’s Kiele Sanchez.
• True Blood will start its third season on June 13. Meanwhile, HBO is releasing one high-resolution poster every week until the premiere on its super-sleek website, like the one I’ve adapted above!
• How did I not know about the Battlestar Galactica roller coaster at Universal Studios Singapore? It’s actually two coasters in one: you can either ride as a human (in a traditional sit-down coaster with a train themed like a Viper) or as a Cylon (in an inverted coaster with trains themed like rows of Centurions). Either way, you’re going to have some close calls with the other side. Check out the dogfight in this video.
• The creator of the HBO/BBC series Rome—which ran for two critically-acclaimed seasons starting in 2005—wants to bring the epic story to the big screen. The script is done, and Morning Light Productions is signed on to produce. The film will be set in Germany after Caesar’s invasion of Gaul and Augustus’s rise to power.
• New episodes of freshly-resurrected Futurama are coming to Comedy Central in June. And now that the contract disputes have been settled, all the original voice actors will return to their parts.
• Syfy has an adaptation of Little Red Riding Hood in the works called Red, which will star Felicia Day (The Guild, Dr. Horrible’s Sing-Along Blog) in the lead role. Syfy describes the movie thusly: “In the action-packed Red, Red (Day) brings her fiancé home, where he meets the family and learns about their business—hunting werewolves. He’s skeptical until bitten by a werewolf. When her family insists he must be killed, Red tries saving him.”
• FOX has announced its summer schedule, and for once, it’s not all reruns and reality shows. Sure there are reruns (i.e. Glee) and reality shows (So You Think You Can Dance begins May 27). But shockingly, a scripted series is set to premiere: The Good Guys a not-so-buddy-cop show from Burn Notice creator Matt Nix. It stars Bradley Whitford (The West Wing, Studio 60 on the Sunset Strip) and Colin Hanks (Roswell, Mad Men) and debuts on June 7—with a special preview on May 19. The show will be paired up with Lie to Me, which has been patiently waiting to resume its second season for five months now!
• Speaking of Glee, the show returned from its midseason hiatus with a record 13.6 million viewers.
• Speaking of Glee (again), creator Ryan Murphy says that the second season will likely be a hearty helping of 25 episodes.
• Apple honcho Steve Jobs will be the subject of a new series called iCon from Borat auteur Larry Charles. The show will air on premium channel Epix. And yes, this is the first time I’ve heard of Epix, too. But the channel might get some much-needed street cred if its miniseries adaptation of Atlas Shrugged comes to fruition, especially if Charlize Theron is attached like she’s rumored to be.
• Fringe: The Musical? It’s happening, alright. In two short weeks. And it sounds surprisingly promising.
• LeVar Burton tweeted last month that Reading Rainbow is coming back. Hurrah!
• Parks and Recreation star Aziz Ansari will host the MTV Movie Awards on June 6, which I consider to be an bizarre but inspired choice.
• But MTV’s first single-camera comedy is a touch less inspired: The Hard Times of RJ Berger, or, as TV Squad aptly dubbed it Hung, Jr. A nerd goes from uncool to slightly-less-uncool when he’s pantsed and everyone gets a good look at his sizable business. The trailer is full of middling to iffy jokes, with the exception of the moment when one envious teacher says, “It’s a goddamned Buick Regal.” The show premieres on June 6.
• Speaking of TV Squad, one of its bloggers pieced together that Graham Yost, creator of FX’s newest edgy series Justified, cut his teeth two decades ago by writing for Hey Dude, a campy Nickelodeon about teens at a dude ranch. Talk about going from one extreme to the other. (Not that I’m judging—I’ll start my television-writing career anywhere!)
• TV Guide Network will start airing reruns of Curb Your Enthusiasm on June 2, followed immediately by Curb: The Discussion, a roundtable discussion of each episode’s moral dilemmas. Larry David, brainchild and star of Curb Your Enthusiasm, will produce; and Susie Essman (who plays foul-mouthed Susie Greene on show) will host. The first guests ’round the table will include Jerry Seinfeld, Jon Hamm, Taraji B. Henson, Seth Green, and Rob Zombie.
• Starz is developing a series based on the autobiography of New York Times food critic and frequent Top Chef Masters judge Gael Greene (entitled Insatiable: Tales from a Life of Delicious Excess). But she’s old and wizened now, so it’s a little icky imagining her “delicious excess.”
• It seems we’re at the halfway point of Mad Men. While speaking at the National Association of Broadcasters convention, creator Matt Wiener revealed that he only foresees six seasons of the show.
• Lynette Rice of Entertainment Weekly reported that Conan O’Brien could film his new TBS show on his $50-million Tonight Show set. However, she does notes that there might be too much “bad blood” for him to do that, but I hope it happens. That stage is too pretty to lay dormant.
• And, to end this post on a high note, NBC has revealed that it lost $233 million on the 2010 Winter Olympics. (As for silver-or-perhaps-bronze lining, the Games brought them great ratings for the month of February!)

Lordy lordy, do I have a ton of news items to share. Let’s waste no time:

• Most excitingly, William Keck at TV Guide reports that Terry O’Quinn (Lost’s Locke) is pitching a series in which he and Michael Emerson (Ben) star as “suburban hit men juggling family issues.” My buddy Andy says he might not be able to see these Emmy-winners as anything other than their iconic Lost personas, but I think that we’ll eventually get accustomed to them portraying different characters. Eventually.
• And speaking of shedding past roles, SCI FI Wire tells us that James Callis (Battlestar Galactica’s Gaius Baltar) has joined the cast of FlashForward and will appear in this season’s last handful of episodes. The fate-defying drama returns March 18 for an uninterrupted run of 13 installments.
• Nip/Tuck’s series finale airs on Wednesday, which means I really have to make haste to catch up. (I’m not sorry it’s leaving the airwaves, though—I loved it a few seasons ago, it’s past its expiration date now.)
• A Washington middle-schooler was given detention for what, to my mind, was a pretty well-placed utterance of The Office’s catchphrase “That’s what she said.”
• FOX’s Past Life, a show which looked terrible just from the previews (and also bumped Fringe off the air for a while), has been axed after three episodes. But series lead Kelli Giddish, who was apparently one of the show’s redeeming qualities, was promptly hired for Jerry Bruckheimer’s U.S. Marshall pilot for NBC, Chase. What with a show premiere, a show cancellation, and a new job, it has been a climactic February for her.
• E! Online revealed that Ellie Kemper, a.k.a. new hire Erin on The Office, was a student at a St. Louis High School where her drama teacher was none other than Mad Men’s Jon Hamm. She said: ”He taught me drama work, mostly improvisation, which I did a lot of in college and in New York. It’s my favorite thing to do.” And he said: “It’s really cool to see [former students] blossom and find their own way in.”
• BuddyTV has a list of five reasons why Heroes should be cancelled, including a pretty damning line graph of the show’s bombing ratings. I agree with most of the reasons, but the last reason is that cancellation is the only way to avoid disappointment. I think it’s too late for that. It’s already disappointing, considering how the show squandered the promise it held during its first season. I’m way behind on the show and unsure whether to even continue. In related news, star Adrian Pasdar was charged with DUI this month.
• Remember when I told you that NBC’s Trauma had been cancelled? It lives! To help fill the void left in the wake of the Jay Leno failure, NBC has resurrected the show. If you’re interested, it returns on March 8.
• Speaking of Leno, he returns to The Tonight Show next Monday, using a renovated version of his set for The Jay Leno Show (and not the impressive Tonight set that Conan used). As strong as my distaste for Leno is, I’ll watch to see his Olympic guests: Lindsey Vonn on Monday, Shaun White on Tuesday, and Apolo Ohno on Wednesday.
• More movie stars are migrating to TV. Matthew Broderick will star in NBC comedy Beach Lane, in which he’ll play an author hired to work for a Hamptons newspaper. (Promisingly, Lorne Michaels is producing.) And Virginia Madsen (Sideways) will lead ABC’s comedic drama Scoundrels, in which she’ll play a mother in a family of crooks who decide to live a life of lawfulness. Based on the New Zealand show Outrageous Fortune, the adaptation was developed a couple of seasons ago under the name Good Behavior with Catherine O’Hara and Kristen Bell attached.
• The fifth season of Friday Night Lights will be its last. But the fourth season hasn’t even aired on NBC yet—only on DirecTV. So Dillon devotees still have two seasons to enjoy before the show bows out.
• Longtime Top Chef judge Gail Simmons—who also works for Food & Wine—will be the host of spin-off Top Chef: Just Desserts.
• NBC’s version of BBC hit Prime Suspect is on hold while the network searches for a suitable star. Considering the original star was Helen Mirren, that’s a tall order.
• Also, director Roland Emmerich says that 2013, his follow-up to blockbuster disaster flick 2012, isn’t likely to make it to air because of budget constraints. Even though the movie was terrible (or so-terrible-it’s-actually-awesome), the series sounded interesting. It would have focused on the efforts to rebuild a human civilization in Africa. I mentioned last post how much I appreciate it when shows film on location, and it would have been awesome for an American series to have been filmed in Africa. (That’s part of the reason why the TV movie 24: Redemption was so effective for me.)
• Speaking of 24 (and boy, do I love smooth segues!), the feature film is apparently back on. Screenwriter Billy Ray—who wrote State of Play and Shattered Glass—will take Jack Bauer to London. But the timing of the production depends on whether or not the TV series gets another season, which FOX has yet to determine.
• To the surprise of just about no one, Charlie Sheen is back in rehab, so you Two and Half Men might be out of luck later this season if CBS runs out of episodes to air.
• PBS and BBC are planning another Sherlock Holmes series with Benedict Cumberbatch (Atonement) as the deerstalker-wearing detective. And, in what I consider inspired casting, Martin Freeman (who had the “Jim” role of Tim in the U.K. version of The Office) will co-star as Watson.
• Happily, First Lady Michelle Obama invited the cast of Glee to perform at the White House for the White House Easter Egg Roll on April 5, and the producers of the show shuffled up the show’s filming schedule to accommodate her request. As Lea Michele belted out during her bravura “Maybe This Time” duet with Kristin Chenoweth, “It’s gonna happen!”
• And finally, to honor the Olympics (or, more specifically, the television coverage of same), here is an amazing photo of Bob Costas atop a stuffed moose with Stephen Colbert looking on.

1. Breaking Bad
2. Mad Men
3. Lost
4. Battlestar Galactica
5. 30 Rock
6. True Blood
7. Modern Family
8. Fringe
9. Glee
10. Dollhouse

Aloha, dear TV junkies.  I may be on vacation, but thanks to some coffeshop wi-fi, I’m still able to update this here blog with cinnamon-bun-sticky fingers.  Surely you didn’t think I’d forgotten about honoring the best small-screen moments of 2009!  Listed below are my favorite episodes across the airwaves from all of last year.  Is the list comprehensive?  Maybe not.  Does the order tend to be arbitrary?  Perhaps.  But still, I believe this to be a pretty good representation of 2009’s highlights.  Writers and directors of the below episodes, I raise my iced-coffee cup to you.

1. Battlestar Galactica “Daybreak, Part 2″  No matter if you loved the end or hated it, the final two hours of this show boldly went where no show has gone before. A catastrophic first hour was followed by a contemplative second. The epic space saga went out with a bang and then a whisper.
2. Mad Men “Shut the Door, Have a Seat”  After an intense season of smoldering interpersonal drama, this episode was one of the most light-hearted and cathartic. In the vaguest terms I can use, Don closed some doors and opened others. He reinvented himself, and the show was reborn anew.
3. Breaking Bad “Phoenix”  Often the penultimate episode of a season is just as climactic as the finale, as proven by Breaking Bad. Without spoiling anything, it was Walter White’s inaction during a gut-wrenching dilemma that made this episode so powerful.
4. Glee “Sectionals”  Between Mercedes’s powerful “And I Am Telling You” rendition, Rachel’s “Don’t Rain on My Parade” showstopper, and the club’s “My Life Would Suck Without You” dedication, the musical numbers in this fall finale were brilliant enough to tide us over until the show’s return in spring.
5. 30 Rock “Apollo, Apollo”  It’s hard to top Jack Donaghy’s excitement-puking and Kenneth’s Muppet-vision, but what made this episode the best of its season was the Polish singles’ line commercial that a young Liz Lemon debased herself by appearing in. Remember, just call 1-800-OKFACE.
6. Dollhouse “Omega”  After the startling return of rogue-doll Alpha at the end of the preceding episode, this episode shows the making (read: programming) of a maniac. The Dollhouse made its bed, and now it might have to die in it!
7. Breaking Bad “Negro y Azul”  Any episode that starts with a mariachi band and ends with an exploding turtle surely deserves a spot high on this list.
8. Lost “Dead is Dead”  It’s Judgment Day for the conniving Benjamin Linus as “the Island” takes him on a painful trip down memory lane. By the end, his relinquishing of power leaves him impotent… and dangerously desperate.
9. Glee “Pilot”  FOX was so excited about this episode, the network aired it four months before the series even started. With the well-crafted song-and-dance numbers, the satirical commentary on the high school food chain, and the hilarious immaturity of the show’s adult characters, I could not stop believing that Glee would be a hit.
10. Grey’s Anatomy “Here’s to Future Days/Now or Never”  This show may be showing its age, but watching the end of this fifth-season finale was tantamount to mainlining adrenaline when the identity of the heroic (and doomed) John Doe was realized.
11. Californication “The Apartment”  A day of reckoning comes for Hank Moody when all the major players in his life coincidentally convene under one roof. In true farce-like fashion, he scrambles to accommodate his girlfriend, his mistresses, his mistress’s husband, his daughter, his best friend, a few random prostitutes, and Rick Springfield, all the while trying to keep his indiscretions under wraps.
12. Modern Family “Pilot”  The premise is simplistic—the daily travails of three families that are “nuclear” for the new millennium—but the writing and acting is refined. Oh, and the show happens to be hilarious. With this episode alone, this show skyrocketed to the elite of half-hour comedies.
13. So You Think You Can Dance “Top 20 Showcase”  This was an episode without missteps—just the top twenty competitors dancing in their own genres, resulting in routines that were almost unmatched by the rest of the season. (Almost.) What was otherwise a filler episode turned into the best hour of the season.
14. Fringe “There’s More Than One of Everything”  John Noble’s most impressive acting came when his character revisited the memories of a beach house with his son. And the alternate-reality story thread tangles as Olivia finds herself in the most improbable of locations in the ballsy cliffhanger.
15. Lost “The Life and Death of Jeremy Bentham”  At last, we discover how He Who Shall Be Named Jeremy Bentham died. Frustrated by his failure to get the gang back together and feeling spurned by destiny, he decides to take his own life. But his real cause of death, which we find out minutes later, is even darker.
16. Parks and Recreation “Beauty Pageant”  One of the first episodes of the season, this installment solidified Parks and Recreation’s status as suddenly brilliant. Example Leslie Knope line: “This [mural] depicts a famous fight between Reverend Bradley and Anna Beth Stevenson, widowed mother of seven. The original title of this was ‘A Lively Fisting.’ But, you know, they had to change it… for obvious reasons.”
17. Damages “Trust Me”  Flash-forwards as a narrative technique are a hot ticket right now, but Damages uses them in a brilliantly manipulative way, revealing a little more of certain scenes in each episode. And in “Trust Me,” all the cards are laid out in this punch-out ending to a gripping season.
18. True Blood “I Will Rise Up”  It started with an act of terrorism perpetrated by humans and ended with an act of tenderness by a human—Sookie Stackhouse—surprising the millennia-old Godric, who had seen the worst of our race’s behavior in his lifetime. Plus, this episode featured another dialogue gem from Lafayette: “I don’t know what you is, but I’m feelin’ you, and you a soulless bitch.”
19. Top Chef “Finale, Part 1″  No matter what you thought of this season’s winner (or even the order of the runners-up), all Top Chef viewers could agree that Keven, Jennifer, and the Voltaggios were the four best contenstants. And to see them duke it out in Napa Valley (aboard a moving train, no less) was a treat.
20. Lie to Me “The Core of It”  Like Parks and Recreation, this procedural drama also came back from its hiatus creatively reinvigorated. In this episode, Cal Lightman and his group have to contend with a murder witness with multiple personalities. Not only do they have to figure out which of her multiple personalities saw the crime, but they also have to find a way to trigger that personality. Guest star Erika Christiansen is scary-good as Sophie/Trisha/Jessie/RJ.

Note: The following post first appeared as an article by the same name in The Climax, Hampshire College’s newspaper. Also, some of these micro-reviews may exceed 140 characters—my bad!

I am a student of television. Writing television scripts is my Division III [a senior project, in Hampshire speak]. So I have no shame in the fact that I watch all of the shows below religiously. I study the craft, folks. That’s a lie—I am ashamed of some of them, but I’m feeling forthright in my fourth-year-ness. Anyway, I only assumed that I couldn’t review all my shows for The Climax before I graduate. And then it occurred to me: I could review each in 140 characters or less. (Arbitrary number, I swear.)

• 24 Some seasons fire on all cylinders, and some make you want to shoot yourself in the kneecap. But I’m still a fan of the Bauer Power Hour.
• 30 Rock Is Tina Fey God? Even if not, this show is in my pantheon. 22 Emmy nominations this year alone. What the what?
• The Amazing Race A competition show and a geography lesson all in one. Plus the race just looks like such a globetrotting thrill.
• Breaking Bad Brilliance you’ve likely never seen. Bryan Cranston (as a reluctant meth dealer) and Aaron Paul (as his witless lackey) are a wondrous team.
• Brothers & Sisters Created by playwright Jon Robin Baitz, powerful character drama pervades this series about the virtues and frustrations of family life.
• Burn Notice Ex-spy Michael Westen is a MacGyver for the new century. Plus he narrates his creative process! Plus Bruce Campbell plays the sidekick!
• Californication Man-child Hank Moody is David Duchovny’s (comedic) role of a lifetime. And the show featured Hampshire band Bubonic Souls last week.
• Chuck Put a self-described nerd in a world of government conspiracies and sexy secret agents, and hilarity ensues. Such a lovable show.
• Community A comedy about a community college study group that’s not quite up to snuff but getting better each week.
• Curb Your Enthusiasm Schadenfreude at a fever pitch. Larry David is such an incorrigible ass, but you can’t help siding with him in all of his curmudgeonliness.
• Damages Vicious legal thriller with Glenn Close and Rose Byrne. Season 2’s powerhouse cast included William Hurt, Marcia Gay Harden, and Ted Danson.
• Desperate Housewives What do I have in common with middle-aged, lovelorn women? Uh, not much. But this show is still a fun look at the seediness of the suburbs.
• Dollhouse Engineered personalities, ethical perversions, and intense action make this (cancelled) show radically different. Well done, Joss Whedon.
• Entourage Not the sharpest tool in the shed, but still a comical insight into the biz and a testament to lifelong friendship. (“Lloyd!”)
• FlashForward An ambitious fate-vs.-free-will drama with a laudable cast. But can its premise sustain it for more than this season?
• Flashpoint This Canadian import, about a hostage negotiation team in Toronto, is edge-of-your-seat tense. Plus Veronica Mars’s dad is the lead!
• Fringe Like The X-Files, only with a more mind-warping mythology and the addition of one raving-mad, madly-funny scientist. Freaky good times had by all.
• Glee This high-school satire is so much fun, thanks to a stellar cast, its show-stopping covers of pop songs, and the incomparable Jane Lynch.
• The Good Wife What makes this legal drama intriguing is that the protagonist—played by Julianna Margulies—is the jilted wife of an adulterous politician.
• Gossip Girl Used to be a salacious indulgence. But they had to match everyone up in an endless cycle of hook-ups and break-ups. What a mess.
• Greek If Gossip Girl had a sharper, wittier, more accessible, yet less popular twin sister, her name would be Greek.
• Grey’s Anatomy Melodramatic, yes, but the relationship drama is sophisticated and smartly executed. But its hard to watch if you’re single, dammit!
• Heroes Holy Hiro, what the hell happened to this show? This once-great serial has suffered bloated storylines and botched mythology. Shut it down.
• Lost The most revolutionary show on this list, nay, of the decade. Season 5 was a creative resurgence that was so awesomely challenging to watch.
• Lie to Me An unconventional procedural drama that’s proven to be surprisingly un-formulaic. And Tim Roth doesn’t even have to use an American accent!
• Mad Men If you’re not in love with this elegant, introspective, and smoldering drama, you just haven’t seen enough of it.
• Men of a Certain Age Three old friends have midlife revelations. This show just started, but I like what I’ve seen. It’s like Garden State—plus twenty years.
• Modern Family Funniest new show of the season. Believe it.
• Nip/Tuck Not as deeply cutting as it was in its youth, but now it’s superficially fun and bat-shit crazy. Can’t complain too much.
• The Office Just when I think it has lost its mojo, it pulls a “Koi Pond” episode or “Subtle Sexuality” webisode to remind us all of its wit.
• Parks and Recreation Started off as an Office clone but came back roaring in its second season. Now it rivals its predecessor for laughs.
• Private Practice A spectacular cast and interesting storylines, but I still wish Addison would go back to Seattle Grace. Maybe everyone can go along!
• Project Runway I’m probably not the right demographic for this catty show, but who cares. I just hope Tim Gunn would approve of my wardrobe.
• Smallville Never “super” but never terrible, Smallville is reliable entertainment even after eight years. One of the only good things the CW can offer.
• So You Think You Can Dance The most legit and diverse dance competition. The talent gets more absurd each season. YouTube “Ellenore & Jakob – Contemporary” for proof.
• Top Chef In a world of hamburger reality shows, Top Chef is a filet mignon with escargot, grilled ramps, chanterelle mushrooms and yuzu—i.e. refined.
• Top Chef Masters The nation’s top chefs compete. Of course it’s good.
• True Blood I reviewed this show already this semester! Suffice it to say, it’s addictive.
• Ugly Betty In this refreshing comedic drama, Betty maintains a beautiful can-do spirit as she navigates the (hilariously) bitchy world of fashion.
• V This series about tensions between humans and alien “Visitors” is off to a promising start, but lamely, we only get four episodes this year.
• Warehouse 13 Undecided about this show. I dig the whole “America’s attic” notion and the leads’ chemistry, but some of the episodes have been, uh, hokey.

Here’s this week’s batch of freshly-baked television news:

• Two big names will “sho” up on Showtime: Laura Linney will star in The C Word, a half-hour comedy series about a woman who turns her life around following a cancer diagnosis; and William H. Macy will star in Shameless, a comedic drama about a drink-swilling father of six (based on a BBC hit).
• In a classless move by NBC, the Glee cast is no longer invited to perform at the Macy’s Thanksgiving Day Parade. Jumpsuits will surely be worn at the festivities, but apparently none by Sue Sylvester.
• No sooner did I finish singing the praises of Kater Gordon, the Mad Men writer who went from writing assistant to Emmy winner in no time, than she was let go from the show’s writing staff. As they say in fashion…
• Lest you thought your eyes deceived you, Family Guy creator Seth MacFarlane did appear as an FBI agent in the premiere of FlashForward. And apparently, he’ll be back on occasion. I only hope I get to guest-star on shows when I’m a successful TV writer!
• NBC has ordered its upcoming post-apocalyptic show Day One to be converted from a 13-episode season to a two-night, four-hour miniseries. And the prospect of further seasons depends on the ratings. This may sound like bad news, but as i09 points out, that formula worked for Battlestar Galactica. And creator Jesse Alexander (Heroes) is pumped, saying, “Airing four hours over two nights is much more exciting to me than rolling out just one hour per week… I didn’t want to suffer the same fate as many first year shows and be moved to another time slot mid story, or worse, not be able to air the final episodes.”
• Though CBS wasn’t too enthusiastic about the negotiator-drama Flashpoint around the time of the TCA Press Tour, the network has decided to bring the Canadian co-production to American screens for another 13-episode run later this season.
• In more good news, some of the season’s most promising shows, Glee, FlashForward, and Modern Family have all earned full-season pick-ups from their respective networks.
• Lauren Graham (of Gilmore Girls fame) has won the role vacated by Maura Tierney on NBC’s upcoming Parenthood, filling the role that Helen Hunt was considering.
• Linda Holmes of NPR’s Monkey See blog has an insightful post about how NBC’s decision to give up the 10 PM slot for The Jay Leno Show represents the network’s exasperation with all things dramatic.
• Michael Ausiello reports that the third season of Chuck may premiere within a matter of weeks instead of next March. He also says that NBC insiders are calling it the best season yet. (And I’ve just realized that half this post has been about NBC!)
• And finally, a Massachusetts farmer is so enamored with Family Guy, he created a corn maze incorporating Stewie and Brian, pictured here. I hope he does something related to NBC next. Perhaps the letters NBC.

I can’t even fit all the news that’s fit to print into one blog post, but here are some of this week’s most interesting tidbits:

• Some of the shows that premiered this week got impressive ratings. FlashForward scared up 12.41 million viewers. (I realize now that there’s no space in that title. The world’s in crisis and people are blacking out—there’s no time for spaces, folks.) Modern Family welcomed 12.74 million. And The Good Wife attracted 13.72 million watching. I didn’t preview that show, but it seems promising so long as it keeps up the scorned-political-spouse angle and doesn’t become an average law drama.
• Just to make the wait for Season 3 of Damages (set to start in January) that much more excruciating, Jace at Televisionary tells us that Martin Short and Lily Tomlin have joined the cast. The addition of two comedians to the cast might seem peculiar, but let’s not forget what a villain Ted Danson’s Arthur Frobisher is/was on that show.
• In other casting news, Helen Hunt is “in talks” to replace Maura Tierney in Parenthood, NBC’s drama based on the Steve Martin movie. Tierney unfortunately had to give up the part to focus on health concerns. (But it’s good to hear from Helen Hunt again, eh?) And elsewhere, Oscar darling Sissy Spacek will join Big Love for a multi-episode arc next season.
• For those of you like my friend who are dying for the character of William Bell (and the actor who portrays him) to return to Fringe, the TV Addict reports that we’ll be seeing him again on October 8.
• Speaking of Fringe, the title for this week’s episode, “Night of Desirable Objects,” sounds less like a type of fishing lure and more like a back-room VHS tape. Hey-o!
• Most of the music from Glee is available on iTunes, and the tracks for each episode are actually posted before the episode airs. My roommates and I are conspiring to start our own Milli-Vanilli-fake glee club here at college, lip-synching to the tracks and then claiming it’s just a coincidence when the same songs are broadcast each Wednesday night. (“Hey, great minds think alike! Good for them!”)
• Speaking of Glee, this week’s episode was perhaps the best yet—both hilarious and heartwarming. The sight of guys in sequined unitards dancing to Beyoncé’s “Single Ladies (Put a Ring on It)” could be disturbing. (I’m talking about you, Joe Jonas.) But in this case, it was pretty uproarious, especially when a whole football team gets involved.
• Frustrated that you can’t join in the Mad Men talk around the watercooler? AMC is here to save the day. Pour yourself a little afternoon whiskey and watch a five-minute clip of “The Story So Far.”
• Speaking of Mad Men, the latest episode had perhaps the most climactic and horrific moment of the series and perhaps the watercooler moment of the week. Gird your stomach and check it out. Of course, the Sterling Cooper workers leave no incident uncommented-on, and they had plenty of wordplay fun at the poor sap’s expense.
• The CW’s model drama The Beautiful Life has met its not-so-beautiful death, becoming the first casualty of the season after only two episodes on the air.
• Speaking of cancellations, A&E has nixed The Cleaner after two seasons. That came as a bit of a surprise, but I guess its ratings must not have been so hot. I hope A&E gets back into the drama game soon.
• If CSI: Miami had any credibility left, it lost it when it used a picture of Tampa in its promotional material. (Hey there, Tampa! Looking good, gal.)
• Conan O’Brien hit his head on the set of The Tonight Show yesterday and had to be taken to the hospital. As a fellow giant, I can sympathize with the occasional noggin bump. But O’Brien, the consummate comedian, had a joke at the ready: “Last thing I remember I was enjoying the play with Mrs. Lincoln, and the next thing I knew I was in bed being served cookies and juice.”
• And finally, break out the Dharma cake: this week marked the five-year anniversary of Lost’s series premiere. How time flies. (Hint: not on Oceanic 815. Ba-da-boom!)

The Emmys snuck up on me this year, but ever since I learned that the ceremony was tonight, my plans were set. (That said, an hour’s intermission for Mad Men might be in order.) I’m not predicting the winners here, mind you, but stating who I’m rooting for. I haven’t seen all of the nominated shows and performances, but from what I have seen, here are my picks for some of the top categories:

Outstanding Drama Series
Breaking Bad

No other show in the category is under-subscribed as this one, and yet it’s one of the most nuanced, emotionally profound series on television. It would be a real coup if it won.

Outstanding Comedy Series
30 Rock

From Oprah hallucinations to Night Court reunions to Muppets in space to Salma Hayek saying “coco for cuckoo poops,” this show continues to outdo itself season after season.

Outstanding Lead Actor – Drama Series
Jon Hamm (Mad Men)

…for a man who makes being emotionally distant look so cool. A furrowed eyebrow is the biggest response you’ll get out of him.

Outstanding Lead Actress – Drama Series
Glenn Close (Damages)

…for being alternately—and believably—vulnerable and terrifying. (And when I say terrifying, I mean she’s almost as scary as her character in Fatal Attraction.)

Outstanding Lead Actor – Comedy Series
Steve Carell (The Office)

Emmy voters love characters with moral ambiguity, and you can never tell of how much of his own assholiness Michael Scott is aware. Plus, this is Carell’s fourth consecutive nomination in this category. Clearly he’s doing something right!

Outstanding Lead Actress – Comedy Series
Christina Applegate (Samantha Who?)

If we can’t have Samantha Who? on our screens, we should at least honor the star, whose performance of the sunny, optimistic Samantha made losing one’s memory almost look like fun.

Outstanding Supporting Actor – Drama Series
Aaron Paul (Breaking Bad)

A win for him seems like a long shot, but Aaron Paul’s performance won me over this year. He made an imbecilic druggie a character you can root for—and feel for during the devastating conclusion to the season.

Outstanding Supporting Actress – Drama Series
Chandra Wilson (Grey’s Anatomy)

Bailey is the most rational, sage character in a hospital brimming with angst and impulsive behavior, even when her own life is imploding. Besides, this is Wilson’s fourth consecutive nomination in this category. Clearly she’s doing something right!

Outstanding Supporting Actor – Comedy Series
Tracy Morgan (30 Rock)

…simply or making Tracy Jordan the craziest person you’d ever want to be your best friend.

Outstanding Supporting Actress – Comedy Series
Kristin Chenoweth (Pushing Daisies)

How is so much talent contained in such a tiny lady? I have no idea, but her portrayal as the hopelessly-devoted Olive Snook almost makes you want to break up Ned and Chuck. Almost.

Outstanding Reality Competition Program
Top Chef

…for being one of the classiest, most respectable reality shows on the air, and for making us all want to become food savants.

]]> http://primetimely.com/2009/09/2009-emmys-my-winners/feed/ 1 http://primetimely.com/2009/08/future-of-classic/ http://primetimely.com/2009/08/future-of-classic/#comments Sat, 01 Aug 2009 22:07:36 +0000 Dan Clarendon http://primetimely.com/?p=54

The following post was originally published on my old blog on July 7, 2009.

After watching the second-season finale of Breaking Bad, the dramatic series about a chemistry-teacher-turned-meth-dealer desperate to not let his cancer treatment bankrupt his family, I had one thought: thank God this show is on AMC.

With the premiere of Mad Men two years ago, AMC went from musty movie channel to leading cable destination overnight. And now with the network’s second dramatic series Breaking Bad attracting its fair share of critical acclaim (and even a leading-actor Emmy win for Bryan Cranston), AMC is establishing itself as a network that values quality over quantity. Unlike the broadcast networks, it has no reason to fill its primetime schedule with series each fall and hope that at least a few are commercial successes (let alone critical success). It has the freedom to develop series more thoroughly and thoughtfully.

And shows on AMC risk virtually no chance of cancellation. If a show on any of the big four networks pulled in Breaking Bad’s numbers (around 1.4 million viewers on average), it would be axed instantly. But 1.4 million viewers, for a previously-obscure network like AMC, is a windfall. So with no threat of extinction—and a supportive network, to boot—AMC seems like a writer’s and producer’s paradise, as long as those writers and producers don’t mind small audiences.

The second season of Breaking Bad was even edgier, more stimulating, and more tragic than the first. If this were a broadcast network show, I’d be sweating about whether a third season would ever transpire. But the show was renewed four episodes into last season. Thank God this show is on AMC.

The following post was originally published on my old blog on February 4, 2009.  Updates to this post are noted below.

Under some pretense of being an organized person (ha!), I keep a very meticulous list of the episodes I have yet to see for all the shows I follow. And I’ve noticed definite trends regarding my level of addiction to certain shows—or the lack thereof—as shown in the following categories. (I should point out that this is nowhere near a comprehensive list!)

Must-See TV I want to see it, and I want to see it now.

• Battlestar Galactica
• Lost
• 30 Rock
• Grey’s Anatomy
• Chuck

Will-See TV I love it, but I might be a few episodes behind.

• 24
• Heroes (Update: Lo, how the mighty Heroes has fallen.)
• Mad Men
• Damages
• Californication

Might-See TV I’ve liked what I’ve seen, but I have a serious backlog.

• Pushing Daisies
• Terminator: The Sarah Connor Chronicles
• True Blood (Update: The more I watch this, the more I love it.)

Should-See TV I know, I know, I have to watch it. So you keep telling me!

• The Wire
• Friends
• Friday Night Lights
• The Office (Update: I got caught up in April, and this is must-see TV now.)

Won’t-See TV No, thank you.

• CSI
• NCIS
• Law & Order
• American Idol