Aaron Sorkin is an idol of mine—a true wordsmith whose whip-smart writing has exalted Sports Night, The West Wing, and Studio 60 on the Sunset Strip on television and A Few Good Men, The American President, Charlie Wilson’s War, The Social Network, and Moneyball on film. (And now he’s even getting in the Broadway game, teaming up with Hugh Jackman and Wicked songster Stephen Schwartz for a musical about Houdini.)

So imagine my unbridled glee when I heard that he was coming back to television. (I wasn’t sure he would after the untimely demise of Studio 60). And I was even more psyched when I found out that he’d be berthed at HBO, where he’d presumably have more creative freedom and less pressure to deliver instant ratings. Add to that an interesting cast including Jeff Daniels, Jane Fonda, Allison Pill, Dev Patel, Sam Waterston, Olivia Munn, and Emily Mortimer. And, mercifully, either he or HBO changed the title—More As This Story Develops did not inspire happy thoughts.

So when the trailer for it finally dropped last week… it slipped right by me. But I did finally catch on. Check it out for yourself below, and then scroll down further for my reactions.

• 0:05: Cue tense, two-note piano music.
• 0:08: I think I’ve seen this guy cast as a d-bag in about seven shows.
• 0:11: “The Jay Leno of news anchors.” Hah! Love it.
• 0:25: Impending migrane? Or Hulk-out?
• 0:33: Jeff Daniels is already an Emmy nominee, no?
• 0:34: The woman in the front row does a really good “OMG” face.
• 0:57: “I don’t know what the fuck you’re talking about.” Oh, right, it’s an HBO show.
• 1:00: Was that “You somebody”? Or “Yosemite”?
• 1:02: Cue Black-Keys-esque music.
• 1:045 Who let the Slumdog out?
• 1:09: Jane Fonda, ladies and gentlemen!
• 1:11: “I’m a registered Republican. I only seem liberal because I believe that hurricanes are caused by high barometric pressure and not gay marriage.” Sorkin’s back, y’all!
• 1:38: “How do you fix breaking news?” the trailer asks. That’s a snappy tagline. As the raptor hunter once said to the raptor, “Clever girl!”
• 1:42: The sound of Blackberry hitting camera is perfect. But why did the guy in the control room duck? I thought the 3D news bit was just a joke.
• 1:50: I don’t know what I’ve seen more of: people leaning forward emphatically or Jeff Daniels throwing things.
• 1:52: Will’s mane shakes as he yells, emphasizing the point that about he and about four other characters need haircuts.
• 1:54: Apparently, no one told the cinematographer to never shoot until you see the whites of their eyes. Jane’s in those shadows somewhere.

And yes, that is all stream-of-consciousness. I am that witty instantaneously. In no way did I go back and punch up my bons mots.

In all sincerity, this trailer shows real potential. But I have to remark upon the similarities between what we see here and the pilot episode of Studio 60: after a media personality’s on-air meltdown, his show gets a revamp and fresh blood as the network execs cast doubts about the show’s future. Plus, this will have been Aaron Sorkin’s third show about a show.

Nevertheless, I’m optimistic. With the critical acclaim surrounding The Social Network and Moneyball, Sorkin seems to be at the top of his game nowadays. So it’s exciting that he’ll get to grace us with thirteen hours of his writerly craftsmanship every season. Plus, it seems like the perfect mesh of his previous two shows. Whereas The West Wing was a cultural touchstone for blending politics and drama, Studio 60 was criticized for imbuing the showbiz drama with too much politics; so The Newsroom seems like the logical next step, a hybrid of the two which plays to Sorkin’s strengths. Now if only he’d write Bradley Whitford and Allison Janney into the show somehow…

Or, Everything That’s Ever Been Spoiled For Me

Try as hard as I might, there’s no escaping spoilers in my role as (amateur) TV critic. As I’ve said before, I’m incapable keeping up with all the worthwhile, buzz-worthy, quality TV on the air today. And while most blogs and publications are good about preceding spoilers with warnings and burying plot reveals in the body of an article instead of leading with them, others are not so conscientious. And even with the diligent outlets, there is a statute of limitations with spoilers—at a certain point, after an arbitrary amount of time has passed, it has to be allowable to rehash and discuss major plot points without recrimination. So I don’t always blame the spoil-er for the spoiling; I just regret that it happened (unless I just don’t care).

At the risk of paying the sin forward, here are all the twists that have been ruined for me—only posted for the amusement of curious readers! For those of you who are reading this on my blog, I’ve redacted the spoiler so that you have to highlight it to read it. For those of you who are reading this on an RSS feed, you might be S.O.L. This is a veritable minefield of killjoy spoilerage, so proceed with caution. And have fun!

• The Walking Dead: I knew that there was a substantial plot twist recently and that actor Jon Bernthal has been making press circuits, so I had my suspicions—and I’ve since found out that, yes, Shane dies.
• Dexter: To the dismay of my boyfriend, who got me into the show, I had long since read that the Trinity Killer killed Dexter’s wife Rita.
• Game of Thrones: I forget how I read it, but I knew that whatever character Sean Bean plays is beheaded even before HBO the sensationalistic (and, might I add, clever) promotional poster that depicts his head on a pike.
• Desperate Housewives: Thanks to a full-page article in Entertainment Weekly and a clip that ran on one of the morning shows, I now know that Mike Delfino dies. (Interestingly, many other TV fans were spoiled when the plot twist was referenced in the Nicollette Sheridan trial days before the episode aired.) I’m not devastated about it; I’ve been dragging my heels on watching my Housewives backlog anyway.
• Battlestar Galactica: Dammit, TV Guide. Here I was innocently leafing through their BSG issue when, all of a sudden, I came across a picture of four of the final five Cylons (and I’m not saying who here because I’m still hoping to get my boyfriend into the show).
• The Amazing Race: Every season, I inevitably fall behind on this competition show, and more often than not, I hear about who won the big shebang.
• Grey’s Anatomy: I’m pretty sure I knew that Denny died before I caught up with the seasons I’d missed on Netflix. And now that I’m covering the show for Wetpaint, I’m privy to a lot of spoilers. I was allowed to watch one screener this season which had a disclaimer asking critics not to reveal “what happens to Henry” in that episode. Gee, can you guess?
• Once Upon a Time: I found out that the sheriff died, breaking the heart of the Jennifer Morrison character, but I don’t feel too upset about it because a) I’ve only watched one episode, and b) I hear that death isn’t permanent on that show anyway.
• Gossip Girl: I knew that Dan and Blair became romantic while I was still boycotting the show. And now that I’ve seen it happen, I don’t hate the idea!
• Parenthood: A thumbnail on Hulu gave away the fact that not only did Jasmine forgive Crosby, but they got married, too.
• So You Think You Can Dance: My boyfriend and I heard who had won the latest season (Melanie, was it?) as we were still watching the first few episodes. It didn’t really matter, though, because the season was so uninspiring that we didn’t even finish watching it.
• Six Feet Under: I know that the Peter Krause character (Nate?) has some sort of stroke which makes him start saying nonsensical words right before he dies.
• The West Wing: I think I remember that the Jimmy Smits character wins the election, replacing Jed Bartlet as president. I also know that Leo dies by virtue of the sad fact that the actor, John Spencer, passed away in the midst of the series.
• The X-Files: I knew that Mulder was abducted because I remembered seeing him practically flayed by alien technology in a FOX promo years before I watched it.
• Buffy the Vampire Slayer: I know that Buffy’s mom dies. And maybe the Alyson Hannigan character, too?
• The Wire: The kid played by Tristan Wilds shoots some girl in a car…? Is that right? And also, does Omar die?
• Friday Night Lights: One of the teens commits murder? Maybe?
• Alias: I’m pretty sure I Googled out spoilers (but I don’t remember which) back in the days before I wanted to stay pure.
• Lost: Actually, no! I’m adding this to the list because I think I actively dodged spoilers pretty effectively. Take that!

No need to bother reading as many television blogs as I do. Here’s the news you should know:

• The Guardian reported that American television shows like Desperate Housewives, Friends, and The Late Show with David Letterman are doing more to win over the minds of Saudi youth than $500-million worth of American propaganda.
• NBC’s pilot Wonder Woman has found its hero and villain—Adrianne Palicki (Friday Night Lights) and Elizabeth Hurley (Austin Powers: International Man of Mystery), respectively.
• Aaron Sorkin—a screenwriter who just won an Oscar for The Social Network and whom I admire for creating The West Wing and Studio 60 on the Sunset Strip—is returning to the small screen with an HBO drama about a cable news show.
• Before we get too sweet on HBO, though, bear in mind that the network passed on the comedy series Tilda, about a powerful Hollywood blogger. Why they would pass up the chance to work with Diane Keaton and Ellen Page is beyond me. (But let’s not forget, they also passed on Mad Men.)
• Oscar-nominated actress Taraji P. Henson (The Curious Case of Benjamin Button) has joined Lost‘s Michael Emerson in J.J. Abrams’s CBS pilot Person of Interest, a drama about an ex-spy who fights crime vigilante-style.
• Emerson’s close friend and Lost costar Terry O’Quinn has joined the cast of ABC’s good-versus-evil pilot Hallelujah, created by Marc Cherry of Desperate Housewives fame.
• Ronald D. Moore’s NBC pilot The 17th Precinct is now a full-fledged Battlestar Galactica reunion, with Jamie Bamber, James Callis, and Tricia Helfer. The cast also includes Kristin Kreuk (Smallville), Stockard Channing (The West Wing), Matt Long (Mad Men), and Eamonn Walker (Kings).
• Speaking of Kings (which I loved), its young lead Christopher Egan will portray Edgar Allen himself in ABC’s pilot Poe.
• AMC is developing a Reconstruction-era drama called Hell on Wheels about a former Confederate soldier who heads to the West to help build the first Transcontinental Railroad—oh, and to seek vengeance. The series stars Anson Mount as the protagonist and rapper Common as a freed slave he meets along the way.
• Salma Hayek and ABC are developing an eight-hour miniseries based on Wicked—the Gregory Maguire novel, mind you, not the musical it spawned.
• Julianne Moore will play folksy Sarah Palin in HBO’s Game Change, a TV movie based on the John Heilemann & Mark Halperin book of the same name, which chronicled the 2010 election. Will her portrayal of Palin hold a candle to her former 30 Rock costar Tina Fey’s?
• HBO is developing a drama about Nazi-battling magicians and con men entitled Hobgoblin. That premise may strike you as strange, but James Hibbard at EW uncovered a reference to a real-life Nazi-battling magician. All right, HBO, you have my attention. Now, would you mind casting Diane Keaton and Ellen Page?

‘Tis the season for development, and Lynette Rice at EW.com has released a list of the pilots the broadcast networks are considering. (Bear in mind that only a fraction of these shows will make it to the airwaves.) After perusing the list, I’ve reached the following conclusions:

• The public’s desire for shows about cops, doctors, and lawyers is still insatiable. By my count, 25 of the pilots are about these three professions. But some of these procedurals might be worth watching because of the attached talent: Forest Whitaker is heading up CBS’s Criminal Minds spin-off, NBC is pursuing Julianne Moore for their adaptation of BBC’s Prime Suspect, and Katee Sackhoff (Battlestar Galactica, 24) will star in a yet-to-be-titled detective series.
• Multi-camera comedies are coming in droves. If the term “multi-camera” doesn’t ring a bell, it refers to the traditional type of sitcom with live (or implied) audiences, three-sided sets, and cue cards. Seinfeld is a multi-camera comedy, whereas 30 Rock is a single-camera one. After the critical success of 30 Rock, there was high demand for single-camera comedies, but now it looks like the trend is reversing, probably because multi-camera ones are cheaper to produce. The multis on the development slate outnumber the singles 21 to 12. This disappoints me. I have a knee-jerk disgust to the very word “multi-camera.” I don’t like for the canned laughter, the fake-looking sets, the bland lighting, and—often times—the type of comedy itself. I know good work is being done on sitcoms like How I Met Your Mother and The Big Bang Theory, but I just haven’t been able to get into them. I’m not even making much headway on Seinfeld.
• The remake fever might not be a the pitch it was a couple of seasons ago, but we still have a few. CBS is updating Hawaii Five-O with Lost’s Daniel Dae Kim and Moonlight’s Alex O’Loughlin. NBC is taking another stab at The Rockford Files, this time under the direction of David Shore (House). And, interestingly, the CW is producing Nikita, an adaptation of La Femme Nikita.
• Spies and the CIA are once again in vogue. Now this is a trend I can get behind, mainly due to my undying love for Alias. All of the espionage series on the slate sound intriguing. CBS’s Chaos has Freddy Rodriguez heading up a “ragtag group of CIA operatives ensnared by backstabbing and bureaucratic snafus.” Fox’s The Station is a single-camera (huzzah!) comedy focusing on a “covert CIA operative and his work buddies embedded in South America.” Even the CW is getting in on the action with Nomads, a drama about “free-spirited” backpackers who carry out CIA missions around the world. But the pilot that I’m most excited about bar none is Undercovers, an NBC drama about married spies who pulled back into service. Why am I pumped? It’s created by my hero, god-among-men J.J. Abrams.
• Remember the 2005-2006 season when everyone wanted a piece of delicious Lost pie? Now everyone seemingly wants to replicate the critical and commercial success of Modern Family. ABC’s It Takes a Village and NBC’s Perfect Couples and Love Bites are all about various couples and their various intersections and intertwinings. I’m thanking God that Love Bites isn’t the name of another vampire series.
• I kind of miss the Lost knock-off trend, though. I want more heavily-serialized stuff, like this season’s intriguingV and FlashForward. There’s only one enigmatic-sounding pilot on the list, NBC’s The Event, a “thriller about a regular Joe caught up in a large conspiracy.”
• We may have dodged a bullet on Love Bites, but terrible names abound elsewhere. Some names are yawningly on-the-nose (Friends with Benefits), some are pun-ishing (Strange Brew—a brewery comedy), some have unfortunate connotations (The Wyoming Project, which brings to mind The Laramie Project), and some are just bizarre (Edgar Floats—a type of inner tube or a soda-fountain treat?). The worst one, however, is The Quinn-Tuplets. Naming characters to serve a pun in the title is a practice that needs to end. I’m still not convinced that Meredith Grey was so-named before the show was christened Grey’s Anatomy.
• Shonda Rhimes’ new show Off the Map is, once again, about doctors (presumably) in love. Okay, Shonda, you have a formula that works—I understand. But what’s neato about this ABC pilot is that it’s being filmed in Puerto Rico. As much as I love Los Angeles, New York City, and Vancouver (woohoo!), I appreciate when a show is filmed in the actual place (like Breaking Bad, which is filmed in New Mexico) or a reasonable stand-in (like Lost and Hawaii).
• There are two dramas about superheroes, NBC’s The Cape and ABC’s No Ordinary Family, the latter of which marks the small-screen return of The Shield’s Michael Chiklis.
• The rotten banana of the bunch seems to be Chuck Lorre’s latest sitcom for CBS, Mike and Molly, about “a couple that overeats.” If that right there is the punchline for the whole show, it sounds abysmally bad. As much as Eddie Murphy might disagree with me, obesity isn’t that funny, especially in today’s America.
• But on the other end of spectrum are pilots that seem quite promising. Reno 911! creators and Night at the Museum scribes Thomas Lennon and Robert Ben Garant are producing a sitcom for NBC about a ex-child star who opens a bar in Vegas. ABC has a drama pilot in the works called Matadors, which centers on two feuding Chicago families and stars David Strathairn (of Good Night, and Good Luck fame). And the Alphabet Network is also developing a comedy called Mr. Sunshine starring Matthew Perry as a “self-absorbed manager of a sport arena” and co-starring Allison Janney. (Both of those stars previously guest-starred on each other’s Aaron Sorkin show, Perry on Janney’s The West Wing, and Janney or Perry’s Studio 60 on the Sunset Strip.)

Of course, everything is subject to change before May, when the networks present the shows that survive this phase to the advertisers at their “upfront” events. That’s when all this speculation will end, and hopefully by then the wheat will be separated from the (ahem, Mike and Molly) chaff.

The following actors are all alumni of some of my favorite shows, and I want them back on television. Post haste!

Merrin Dungey Dungey is one of my beloved Alias actors and probably one of the most under-appreciated. She spent two seasons playing Francie Calfo and then made a couple of repeat performances later in the series. She spent two seasons on the sudsy, frothy mess known as Summerland. And then good news! She was cast as Addison Montgomery’s best friend Naomi Bennett in the backdoor pilot for Private Practice. And then bad news! She was replaced by Audra McDonald for the actual series. Even though McDonald seems perfect for the part of Naomi, Dungey needs a role elsewhere.

Gillian Anderson I don’t care if she’s playing Dana Scully or not, Anderson should return to American television. (Actually, that’s a lie: I’d love to see a Scully comeback.) The X-Files alum has had a fair share of success with the miniseries Bleak House and with The X-Files: I Want to Believe, but it’s not like she’s crazy busy. And she did vow to come live in America again if Obama won, so she is in the country…

The Senior Staff of the West Wing And by that, I mean Bradley Whitford, Allison Janney, Richard Schiff, and Josh Molina. I’m even going to throw in Janel Maloney and Stockard Channing. The whole cast of The West Wing is enormously talented, and the actors deserves more roles—preferably on the same show, preferably on one created by Aaron Sorkin. (I’m not including Dulé Hill and Rob Lowe because they have regular jobs, and I’m not including Martin Sheen because he’s had a long career and deserves a break.)

Sam Jones III Why has he not returned to Smallville? People should know when they can jump-start a big-screen career and when they can’t. (I call it the David Caruso Question.) If Sam Jones III can’t make the transfer, he should return to the burg of Smallville to have more dangerously awesome, awesomely dangerous adventures with his old high-school chums.

Almost the entire cast of Roswell But not Katherine Heigl, that diva! No, this one goes out to Shiri Appleby, Jason Behr, Brendan Fehr, and all the rest who need jobs. I miss them. Unless they’ve been abducted by real aliens, they’re around, and probably looking for work.

Lee Pace & Anna Friel I’m sad that Pushing Daisies was cancelled, and I’m remiss for not having seen all of the available episodes! But I loved what I saw, and these two were masters of innocent, cutie-patootie love. I’d love to see them portray the same types of characters. Then again… it could be cool seeing them as serial killers…