2009 Primies: Best Episodes

By on Jan 14, 2010 in The Primies |

Aloha, dear TV junkies.  I may be on vacation, but thanks to some coffeshop wi-fi, I’m still able to update this here blog with cinnamon-bun-sticky fingers.  Surely you didn’t think I’d forgotten about honoring the best small-screen moments of 2009!  Listed below are my favorite episodes across the airwaves from all of last year.  Is the list comprehensive?  Maybe not.  Does the order tend to be arbitrary?  Perhaps.  But still, I believe this to be a pretty good representation of 2009’s highlights.  Writers and directors of the below episodes, I raise my iced-coffee cup to you. Battlestar Galactica “Daybreak, Part 2”  No matter if you loved the end or hated it, the final two hours of this show boldly went where no show has gone before. A catastrophic first hour was followed by a contemplative second. The epic space saga went out with a bang and then...

2009 Primies: Best Characters

By on Dec 25, 2009 in The Primies |

Because it’s the end of the year (and of the decade), every TV critic is releasing best-of lists. And I am no exception, though small-potatoes I may be. Ergo I announce the First Annual Primie Awards! And the first category honors the 15 characters whom I appreciate most, in descending order of awesomeness. Frankly, the shows below would just be suckier without them! Sue Sylvester (Glee) When Sue swaggers onscreen in one of her splashy tracksuits, you know that she’s say something both wildly inappropriate and gut-bustingly funny. The malicious comments she deploys in her jihad against McKinley High’s glee club almost makes you root for her. Played by Jane Lynch. Ron Swanson (Parks and Recreation) The reluctant supervisor of Pawnee’s parks department had a breakout season that had him facing off with his domineering ex, presiding over the breakfast buffet at a...

41 Shows Reviewed in 140 Characters or Less

By on Dec 23, 2009 in Inanities | 1 comment

Note: The following post first appeared as an article by the same name in The Climax, Hampshire College’s newspaper. Also, some of these micro-reviews may exceed 140 characters—my bad! I am a student of television. Writing television scripts is my Division III [a senior project, in Hampshire speak]. So I have no shame in the fact that I watch all of the shows below religiously. I study the craft, folks. That’s a lie—I am ashamed of some of them, but I’m feeling forthright in my fourth-year-ness. Anyway, I only assumed that I couldn’t review all my shows for The Climax before I graduate. And then it occurred to me: I could review each in 140 characters or less. (Arbitrary number, I swear.) 24 Some seasons fire on all cylinders, and some make you want to shoot yourself in the kneecap. But I’m still a fan of the Bauer Power Hour. 30 Rock Is Tina Fey God? Even if not, this show is in...

Nothing but the Blood

By on Oct 4, 2009 in Raves | 1 comment

Note: The following review first appeared as an article entitled “True Blood: HBO’s newest (and most misunderstood) hit” in The Climax, Hampshire College’s newspaper. Enough vampires, you say. And you’re entitled: pop culture is oversaturated with blood-sucking stories these days. True Blood might have been white noise amongst other fang-bearing works. But Twilight it ain’t. Part pulpy horror flick, part gothic love story, and with pervasive social commentary, HBO’s first post-Sopranos hit series defies categorization. And—forgive me for this—it’s bloody good. Based on the book series The Southern Vampire Mysteries by Charlaine Harris, True Blood revolves around the character of Sookie Stackhouse, a telepathic waitress at a watering hole in the sleepy town of Bon Temps, Louisiana. In the first episode, she falls in love with Bill Compton, a 150-year-old vampire,...

The Whore in the House of Prayer

By on Aug 29, 2009 in In Production |

Per usual, all five of the Emmy nominees for Main Title Design are stellar achievements—and nice counterpoints to the the title card some shows display in lieu of an actual sequence. But the most captivating of these year’s contenders is the one Digital Kitchen designed for HBO’s True Blood. Pulsating, lascivious, and kinetic, the sequence is a whirlwind tour of the South—its culture, its environment, and its seedy underbelly. I love so much about this sequence: the music (Jace Everett’s “Bad Things”); the rough-hewn, custom-made typeface; the frenetic editing; the images of life and death, the juxtaposition of religious and sexual ecstasy, et cetera, et cetera. See for yourself: And, if you’re interested in how Digital Kitchen developed this magnum opus, you may find Creative League’s “Making Of” article (from whence the title of...