Follow That Sound

By on Aug 1, 2009 in In Production |

The following post was originally published on my old blog on June 28, 2009. Lately, the trend regarding opening titles has been to make them as short as possible. Gone are the days of ones lasting a minute-and-a-half. And rapidly going are the days of ones lasting thirty seconds. For example, both Grey’s Anatomy and Desperate Housewives once had excellent sequences—a satirical look of the representation of women in art, and a clever montage of love lives and professional lives intermingling. But both sequences have been replaced by mere title cards lasting five seconds, tops. That’s why I was so pleased to see that A&E bucked the trend starting with the second-season premiere of The Cleaner. This was a show that used to display a simple title card. But now, it has been granted a luxuriously long—and damn good-looking—title sequence, which you can view here (so long as...

What They Should and Should Not Have Done

By on Aug 1, 2009 in Rants |

The following post was originally published on my old blog on June 23, 2009. As I was discussing the sorry fate of Jon and Kate Gosselin with my mom earlier tonight (before the inevitable happened), we agreed that they are to blame for their level of media exposure. Yes, the paparazzi are nuts, but they knew that. The job of the paparazzi is to find scoop, and Jon gave it to them, no matter what his intentions were. And Kate is just as culpable for airing her grievances to People, probably to try to rally sympathy while earning a pretty penny—but all she did was come off as passive-aggressive. My mom and I talked about their overwhelming desire for all things material. Indeed, Jon recently professed that he only does the show for the goods and chattels that come with it. And to think that, at first, they claimed they were doing the show to pay for their children’s futures. They...

Two Minutes, Seventeen Seconds

By on Aug 1, 2009 in Previews |

The following post was originally published on my old blog on April 20, 2009. 2009-2010 New Series Preview, Part 1 ABC has a lot of fine prospects for the 2009-2010 season, but one of the most exciting is a pilot called Flash Forward, based on the Robert J. Sawyer novel of the same name. (I don’t love that title, but that’s neither here nor there.) The story begins with a worldwide event: the population of the world blacks out for two minutes and seventeen seconds, during which everyone experiences a vision of his or her future. FBI agent Mark Benford, horrified by what he sees, assembles a team to figure out what the event means and how to prevent the future it projected. The team assembles a vast mosaic of visions as they ask people the same question: “What did you see?” It’s an ambitious premise that could set off a tangled, enigmatic plot in the vein...

An Elegy for the Remote-Free

By on Aug 1, 2009 in Tinseltown |

The following post was originally published on my old blog on April 1, 2009. One of my favorite practices this season was Fox’s “remote-free TV” model, in which the networks aired fewer commercials during each episode of Fringe and Dollhouse—while charging advertisers more for the exclusivity—in an effort to keep viewers watching live, instead of recording the shows and fast-forwarding through the commercials. I liked it because, as a result, each episode’s running time was 49 or 50 minutes, instead of just 42 or 43 minutes. Unfortunately, the experiment had its share of setbacks, according to this article at Airlock Alpha. Even though viewers paid more attention to the ads, many companies were reluctant to shell out the extra bucks. Also, each episode was more expensive to produce—and the extra minutes of each episode would be cut if the show was ever to air on...

Give These Actors a Take Two!

By on Aug 1, 2009 in Tinseltown | 1 comment

The following post was originally published on my old blog on March 29, 2009. The following actors are all alumni of some of my favorite shows, and I want them back on television. Post haste! Merrin Dungey Dungey is one of my beloved Alias actors and probably one of the most under-appreciated. She spent two seasons playing Francie Calfo and then made a couple of repeat performances later in the series. She spent two seasons on the sudsy, frothy mess known as Summerland. And then good news! She was cast as Addison Montgomery’s best friend Naomi Bennett in the backdoor pilot for Private Practice. And then bad news! She was replaced by Audra McDonald for the actual series. Even though McDonald seems perfect for the part of Naomi, Dungey needs a role elsewhere. Gillian Anderson I don’t care if she’s playing Dana Scully or not, Anderson should return to American...