2011 Emmys: My (Overdue) Recap

By on Oct 11, 2011 in Recaps |

Forgive me, readers, for I have sinned. It’s been months and months since my last blog post. And in that time span, the Emmys broadcast came and went, uncommented on—until now! Yes, though it may be ridiculously belated, I’m here to opine, ruminate, and wax poetic on all things Emmy. Hey, at least I’m doing so before next year’s broadcast… Even though the opening number didn’t wow me (until the Mad Men bit, that is), I still think Jane Lynch made for a fine Emmy host, and I hope the producers continue to make unexpected choices for the hosting gig for future ceremonies. All hail Modern Family. Not only was it chosen as Outstanding Comedy Series, but Phil and Claire Dunphy themselves, Ty Burrell and Julie Bowen, were chosen as the comedy world’s best supporting actor and actress. Plus, the show also took home awards for its writing and...

Don’t Cry for “Glee,” Argentina

By on Jul 11, 2011 in Inner Monologues |

Glee creator Ryan Murphy’s announcement that the McKinley kids would be graduating and leaving the show at the end of this upcoming season (stated with a “isn’t-this-totes-obvs?” tone) caused a stir surprising to even Murphy himself. Gleeks are practically worked up into a lather of separation anxiety. And it makes sense: no one is excited about the prospect of Glee devoid of Rachel’s self-aggrandizing, Finn’s lumbering dance moves, Mercedes’s vocal runs, and Brittany’s non sequiturs. But his rationale is valid. Unless the show abandoned all pretense at realism (and it’s already halfway there with the rock-concert-worthy production values that accompany each performance), it’d be hard to draw out the chronology enough to allow the characters to stay at McKinley for any more seasons. But Gleeks need not worry. The original...

2011 Pilot Watch: The Best of the Winners

By on May 27, 2011 in Tinseltown |

The tribe has spoken. The networks have voted. And this development season’s pilots have either received series orders or have been all but forgotten about. After watching clips of (or, at least, reading synopses of) the new shows, I’ve decided which shows I can’t wait to check out. (And my track record is pretty great: only two-thirds of the shows I recommended last year were cancelled! Hey!) Alcatraz Another in a proud line of mysterious dramas from J.J. Abrams, FOX’s Alcatraz deals with the sudden reappearance of prisoners and guards who had disappeared three decades prior. I’d be excited for the Abrams-ness of it all, but it also features an enviable cast (Lost’s Jorge Garcia, Jurassic Park’s Sam Neill, ER’s Parminder Nagra). Apartment 23 ABC’s roommate-from-hell comedy works because Krysten Ritter (Veronica Mars) is...

Not Just the Obligatory Musical Episode

By on Apr 16, 2011 in Raves |

Regardless of what you thought of the result (if you happened to see it), you have to admit that putting on a musical episode of Grey’s Anatomy—and doing so sincerely without a sense of parody or irony—indicates that Shonda Rhimes has some pretty major creator-balls. It certainly wasn’t Glee, and jazz hands were nowhere to be seen. It took a different tack to the trope of the musical episode, and it succeeded as much as it failed. I get what Shonda tried to do, and I loved the idea of commemorating the songs that Grey’s made famous. But here’s the rub: a show’s music supervisor usually chooses songs whose tone sets the right mood for a certain scene and does so without much regard for the actual lyrics. So while the refrains of the songs fit in with the storyline (e.g. “Breathe,” “Wait,” “How We Operate,” “How To...

The Prime Times: Patriotic Housewives Edition

By on Mar 11, 2011 in In Brief |

No need to bother reading as many television blogs as I do. Here’s the news you should know: The Guardian reported that American television shows like Desperate Housewives, Friends, and The Late Show with David Letterman are doing more to win over the minds of Saudi youth than $500-million worth of American propaganda. NBC’s pilot Wonder Woman has found its hero and villain—Adrianne Palicki (Friday Night Lights) and Elizabeth Hurley (Austin Powers: International Man of Mystery), respectively. Aaron Sorkin—a screenwriter who just won an Oscar for The Social Network and whom I admire for creating The West Wing and Studio 60 on the Sunset Strip—is returning to the small screen with an HBO drama about a cable news show. Before we get too sweet on HBO, though, bear in mind that the network passed on the comedy series Tilda, about a powerful Hollywood blogger. Why they would pass...

2011 Pilot Watch

By on Mar 1, 2011 in Tinseltown |

The start of the current television season doesn’t feel too long ago, but already, the broadcast networks are putting together their fall slates and ordering pilot episodes of potential new series. After the scouring the intel rounded up by The Futon Critic, here are my thoughts on the lineup. The paranormal and supernatural continue to capture the imaginations of network execs: they’ve greenlit pilots about superpowers (FOX’s Touch, CBS’s The Rememberer), magic (NBC’s 17th Pricinct), angels (CBS’s untitled Susannah Grant project, The CW’s Heavenly), zombies (The CW’s Awakening), witches (The CW’s Secret Circle), fairy tales (ABC’s Once Upon a Time, NBC’s Grimm), haunted houses (FOX’s Locke & Key), alternate universes (NBC’s REM), and forces of good and evil (ABC’s Hallelujah). Remakes are...