“Glee” gets better, and “It Gets Better”

By on Mar 7, 2012 in Raves | 1 comment

It should be no surprise that Glee has fallen in the ranks of my favorite shows. What used to be appointment TV is now Hulu-days-later TV. I feel like it doesn’t have the same pizazz, the same bite, the same freshness. So imagine my surprise when I found the most recent episode, “On My Way,” to be one of the most important hours of television of this season… or maybe of any season. In the story, Karofsky—whose bullying of Kurt stemmed from his own closetedness—becomes the target of physical and cyber bullying himself, and he tries to take his own life. The students and faculty at McKinley then grapple to empathize and to process their guilt. Finally, Kurt visits Karofsky and helps him imagine a happy future—one worth living to experience. The episode aired with public service announcements from The Trevor Project, an organization whose mission is “to end...

Shit My Boyfriend Says

By on Feb 1, 2012 in Inanities |

or, A Television-Related Word Association Experiment With the Love of My Life Here’s a list of every current show I watch, and my boyfriend’s instant reaction to each. 30 Rock “Oh, Tina Fey…” (smiles) American Horror Story “Thrills me.” Boardwalk Empire “Costumes…” Breaking Bad “Oh, I don’t know.  I don’t know.  Come back to me with that one.” Burn Notice “Never saw it… oh, but that guy is hot.” Californication “Gah… can’t get into it… but I want to.” Community “Growing on me.” Cougar Town “Stupid.” Covert Affairs “Oh, Piper Peek-a-boo.  That’s what my dad calls her… looks pretty stupid, though.  It looks like a dumbed-down Alias, if Alias could be any dumber.” Curb Your Enthusiasm “I hate...

2011 Primies: Best Moments

By on Jan 27, 2012 in The Primies |

We all watch television in eager anticipation of those watercooler moments—those moments so shocking, so emotional, so incredibly awesome that we have to a) rewind to watch them about twenty times and b) rehash them to death with all of our fellow watchers. And I honor my picks for those moments here, along with video clips of each moment from YouTube and Hulu (which will hopefully still work in six months). Bear in mind that I did not (and surely could not) see every worthwhile show on television in 2011, and I might be behind on the ones I do watch, so I will most certainly snub deserving moments. Also, I chose not to go Googling to remember these events; if they didn’t come immediately to mind, they must not be momentous enough to merit a place on this list. WARNING: MASSIVE SPOILERS AHEAD! You may just want to look at the show names in the parentheses before looking at the...

2011 Primies: Best Characters

By on Jan 12, 2012 in The Primies |

The start of a new year makes us all reflect on the previous 365 days, but it makes this blogger reminisce not only about the year that was but also the television that was. That’s right: as is tradition this time of year, it’s time for another round of the Primies. Not the most prestigious awards, perhaps, but let’s hope it’s a bit more entertaining (and maybe even more credible) than last night’s People Choice Awards? In any case, here are the characters I appreciated the most in 2011. And I should also take this opportunity to categorically commend the actors who portray these characters, since even the best writing needs the perfect delivery. Finally, let this be a warning to all ye who continue: spoilers abound! Debra Morgan (Dexter) This season saw this profanity-spewing Miami Metro detective was make lieutenant, but the promotion alienated her from...

Don’t Cry for “Glee,” Argentina

By on Jul 11, 2011 in Inner Monologues |

Glee creator Ryan Murphy’s announcement that the McKinley kids would be graduating and leaving the show at the end of this upcoming season (stated with a “isn’t-this-totes-obvs?” tone) caused a stir surprising to even Murphy himself. Gleeks are practically worked up into a lather of separation anxiety. And it makes sense: no one is excited about the prospect of Glee devoid of Rachel’s self-aggrandizing, Finn’s lumbering dance moves, Mercedes’s vocal runs, and Brittany’s non sequiturs. But his rationale is valid. Unless the show abandoned all pretense at realism (and it’s already halfway there with the rock-concert-worthy production values that accompany each performance), it’d be hard to draw out the chronology enough to allow the characters to stay at McKinley for any more seasons. But Gleeks need not worry. The original...