2011 Primies: Best Moments

By on Jan 27, 2012 in The Primies |

We all watch television in eager anticipation of those watercooler moments—those moments so shocking, so emotional, so incredibly awesome that we have to a) rewind to watch them about twenty times and b) rehash them to death with all of our fellow watchers. And I honor my picks for those moments here, along with video clips of each moment from YouTube and Hulu (which will hopefully still work in six months). Bear in mind that I did not (and surely could not) see every worthwhile show on television in 2011, and I might be behind on the ones I do watch, so I will most certainly snub deserving moments. Also, I chose not to go Googling to remember these events; if they didn’t come immediately to mind, they must not be momentous enough to merit a place on this list. WARNING: MASSIVE SPOILERS AHEAD! You may just want to look at the show names in the parentheses before looking at the...

2011 Primies: Best Characters

By on Jan 12, 2012 in The Primies |

The start of a new year makes us all reflect on the previous 365 days, but it makes this blogger reminisce not only about the year that was but also the television that was. That’s right: as is tradition this time of year, it’s time for another round of the Primies. Not the most prestigious awards, perhaps, but let’s hope it’s a bit more entertaining (and maybe even more credible) than last night’s People Choice Awards? In any case, here are the characters I appreciated the most in 2011. And I should also take this opportunity to categorically commend the actors who portray these characters, since even the best writing needs the perfect delivery. Finally, let this be a warning to all ye who continue: spoilers abound! Debra Morgan (Dexter) This season saw this profanity-spewing Miami Metro detective was make lieutenant, but the promotion alienated her from...

How “Grey’s” Can Get Its Groove Back

By on Dec 23, 2011 in In Production |

My other blogging gig is covering Grey’s Anatomy for Wetpaint Entertainment, and I wanted to share the following article here on Primetimely since it’s one of which I’m particularly proud. (You can see it in its original Wetpaint context here.) The preamble is true: I do love Grey’s—but I do see its faults and its wear and tears of age, and I have some humble suggestions. We love Grey’s Anatomy, and not just because doing so is our job here at Wetpaint Entertainment. But we’re still critical of it — and while this season and the last were better than, say, seasons 5 and 6, we’re a long ways away from the Grey’s glory days. So we took it upon ourselves to make the show great again… or to at least offer the writers some friendly suggestions. Here are five prescriptions for the writers to administer once an episode until the...

2011 Emmys: My (Overdue) Recap

By on Oct 11, 2011 in Recaps |

Forgive me, readers, for I have sinned. It’s been months and months since my last blog post. And in that time span, the Emmys broadcast came and went, uncommented on—until now! Yes, though it may be ridiculously belated, I’m here to opine, ruminate, and wax poetic on all things Emmy. Hey, at least I’m doing so before next year’s broadcast… Even though the opening number didn’t wow me (until the Mad Men bit, that is), I still think Jane Lynch made for a fine Emmy host, and I hope the producers continue to make unexpected choices for the hosting gig for future ceremonies. All hail Modern Family. Not only was it chosen as Outstanding Comedy Series, but Phil and Claire Dunphy themselves, Ty Burrell and Julie Bowen, were chosen as the comedy world’s best supporting actor and actress. Plus, the show also took home awards for its writing and...

Don’t Cry for “Glee,” Argentina

By on Jul 11, 2011 in Inner Monologues |

Glee creator Ryan Murphy’s announcement that the McKinley kids would be graduating and leaving the show at the end of this upcoming season (stated with a “isn’t-this-totes-obvs?” tone) caused a stir surprising to even Murphy himself. Gleeks are practically worked up into a lather of separation anxiety. And it makes sense: no one is excited about the prospect of Glee devoid of Rachel’s self-aggrandizing, Finn’s lumbering dance moves, Mercedes’s vocal runs, and Brittany’s non sequiturs. But his rationale is valid. Unless the show abandoned all pretense at realism (and it’s already halfway there with the rock-concert-worthy production values that accompany each performance), it’d be hard to draw out the chronology enough to allow the characters to stay at McKinley for any more seasons. But Gleeks need not worry. The original...