Not Just the Obligatory Musical Episode

By on Apr 16, 2011 in Raves |

Regardless of what you thought of the result (if you happened to see it), you have to admit that putting on a musical episode of Grey’s Anatomy—and doing so sincerely without a sense of parody or irony—indicates that Shonda Rhimes has some pretty major creator-balls. It certainly wasn’t Glee, and jazz hands were nowhere to be seen. It took a different tack to the trope of the musical episode, and it succeeded as much as it failed. I get what Shonda tried to do, and I loved the idea of commemorating the songs that Grey’s made famous. But here’s the rub: a show’s music supervisor usually chooses songs whose tone sets the right mood for a certain scene and does so without much regard for the actual lyrics. So while the refrains of the songs fit in with the storyline (e.g. “Breathe,” “Wait,” “How We Operate,” “How To...

2011 Pilot Watch

By on Mar 1, 2011 in Tinseltown |

The start of the current television season doesn’t feel too long ago, but already, the broadcast networks are putting together their fall slates and ordering pilot episodes of potential new series. After the scouring the intel rounded up by The Futon Critic, here are my thoughts on the lineup. The paranormal and supernatural continue to capture the imaginations of network execs: they’ve greenlit pilots about superpowers (FOX’s Touch, CBS’s The Rememberer), magic (NBC’s 17th Pricinct), angels (CBS’s untitled Susannah Grant project, The CW’s Heavenly), zombies (The CW’s Awakening), witches (The CW’s Secret Circle), fairy tales (ABC’s Once Upon a Time, NBC’s Grimm), haunted houses (FOX’s Locke & Key), alternate universes (NBC’s REM), and forces of good and evil (ABC’s Hallelujah). Remakes are...

2010 Primies: Best Episodes

By on Jan 23, 2011 in The Primies |

It’s often hard to remember all of the television I watch every year, but some episodes make themselves impossible to forget. The following hours or half-hours of television were exemplary in some way, whether it was for the writing or the direction of the episode; for the way they ended seasons or, in some cases, entire series; for their plots or subplots; for the emotional toll they took on the viewer; for the way they broke the mold and parted with tradition; or sometimes for just one scene or performance in particular. Lost “The End” (Parts 1 & 2) … for providing an unexpected, moving, and controversial finale sure to keep fans talking, dissecting, and criticizing for years to come. Grey’s Anatomy “Sanctuary/Death and All His Friends” … for the tensest, most emotionally-draining two hours of television this year. Breaking Bad...

The Redemption of Katherine Heigl

By on Apr 5, 2010 in Tinseltown |

Katherine Heigl, best known for her award-winning turn as Dr. Isobel Stevens on Grey’s Anatomy, has given us several reasons lately to dislike her. Two years ago, she opted to not compete for an Emmy, citing poor material that season on Grey’s. Last year, she griped to David Letterman last year about long days on the set—when apparently it was her movie-promoting schedule that caused the cram. And this year, she abruptly left the show to which she owes everything after finding success as a big-screen A-lister. Katherine Heigl was actually the reason I started watching Grey’s five years ago, having been a fan of hers from Roswell. But all of those comments and actions alienated me and a lot of other fans. I didn’t even bother considering the possibility that they were taken out of context—that maybe there was another side of the story. But for the most part,...

2010 Pilot Watch

By on Feb 22, 2010 in Tinseltown |

‘Tis the season for development, and Lynette Rice at EW.com has released a list of the pilots the broadcast networks are considering. (Bear in mind that only a fraction of these shows will make it to the airwaves.) After perusing the list, I’ve reached the following conclusions: The public’s desire for shows about cops, doctors, and lawyers is still insatiable. By my count, 25 of the pilots are about these three professions. But some of these procedurals might be worth watching because of the attached talent: Forest Whitaker is heading up CBS’s Criminal Minds spin-off, NBC is pursuing Julianne Moore for their adaptation of BBC’s Prime Suspect, and Katee Sackhoff (Battlestar Galactica, 24) will star in a yet-to-be-titled detective series. Multi-camera comedies are coming in droves. If the term “multi-camera” doesn’t ring a bell, it refers to the traditional type of sitcom with live (or...