Since I Found Serenity

By on Nov 10, 2009 in Raves | 1 comment

“Firefly is about nine people looking into the blackness of space and seeing nine different things.” That’s apparently how Joss Whedon—creator of Buffy, Angel, and Dollhouse—pitched the show to Fox back at the beginning of the decade. Now, as we approach the end of the decade, I’ve finally watched it on DVD. And while I didn’t love it as arduously as others, I do understand the appeal. That pitch above is apt, because the main characters—the crew and passengers of the Firefly-class spaceship Serenity—and specifically the differences between them are make the show. Granted, the concept is cool: the show is a hybrid of two genres, sci-fi and western. Aside from the aesthetic appeal of the mash-up, it also united our past and a (possible) future to comment upon our present. The show is set in the future, after the two remaining superpowers on “the Earth...

V-Day Has Arrived

By on Nov 3, 2009 in Previews |

2009-2010 New Series Preview, Part 5 First off, forgive me for not updating sooner.  My laptop computer apparently aired its series finale, so to speak, and my internet access has been limited. But TV shows go on, blog or no blog, so this show must go on! In a little over an hour, the final show to make a fall premiere will make its debut: V on ABC. Just another example in the everything-old-is-new-again trend, V is a reimagined version of a miniseries-turned-sequel-miniseries-turned-series that NBC aired 25 years ago. In those productions, the “Visitors” were reptilian aliens who made camp above the world’s major cities and attempted a hostile takeover. And, by all reports, the shows were campy fun with an emphasis on the campy. (I hear the aliens ate guinea pigs…?) The remake seems pretty similar, if perhaps a bit more serious. The motherships swoop in and...

“Lost”: Even More Sublime in Real Time

By on Oct 21, 2009 in Fandom |

What if Lost were presented like 24, replete with a ticking timecode and split-screen? YouTube user pyram1dhead gives us the answer, and it is done incredibly adeptly—so much so that you almost wish you could watch the whole series this way. Culling footage from (by my count) six episodes and one webisode, this video represents a comprehensive timeline of the crash of Oceanic 815 and what happens on the island before, during, and after. (Spoiler warning! Read no further if you’re interested in watching the first three seasons.) We see Juliet burning her muffins, talking to Amelia about Ben’s nefarious activities, hosting her book club, and being interrupted mid-sentence by the earth shaking. We see Desmond confront Kelvin, inadvertently kill him, and rush back to the Swan to reset the 108-minute countdown. We see Jack flirt with the flight attendant and comfort row-mate...

The Prime Times: Peacock Overload Edition

By on Oct 16, 2009 in In Brief |

Here’s this week’s batch of freshly-baked television news: Two big names will “sho” up on Showtime: Laura Linney will star in The C Word, a half-hour comedy series about a woman who turns her life around following a cancer diagnosis; and William H. Macy will star in Shameless, a comedic drama about a drink-swilling father of six (based on a BBC hit). In a classless move by NBC, the Glee cast is no longer invited to perform at the Macy’s Thanksgiving Day Parade. Jumpsuits will surely be worn at the festivities, but apparently none by Sue Sylvester. No sooner did I finish singing the praises of Kater Gordon, the Mad Men writer who went from writing assistant to Emmy winner in no time, than she was let go from the show’s writing staff. As they say in fashion… Lest you thought your eyes deceived you, Family Guy creator Seth MacFarlane did appear as...

Seven Kingdoms Come: HBO’s “Game of Thrones”

By on Oct 15, 2009 in Previews | 3 comments

Though it might not reach our screen until late 2010 or 2011, I’m very excited for HBO’s Game of Thrones, a prospective series based on George R. R. Martin’s book series A Song of Ice and Fire. Admittedly, I haven’t read any of the novels, but anything that brings medieval fantasy to television piques my curiosity (excepting Merlin, that is). Since I am totally ignorant about the plot, here’s what Wikipedia has to offer: The story of A Song of Ice and Fire takes place in a fictional world, primarily upon a continent called Westeros but also on a large landmass to the east, known as Essos. Most of the characters are human but as the series progresses other races are introduced, such as the cold and menacing Others from the far North and fire-breathing dragons from the East, both races thought to be extinct by the people of the story. There are three...

Endings, As It Is Known, Are Where We Begin

By on Oct 10, 2009 in Raves |

Rarely do shows get to end on the creators’ own terms, especially those that are cancelled. And even though Bryan Fuller surely would have preferred a more robust ending to his much-beloved fantasy noir Pushing Daisies, the show didn’t exit on a cliffhanger or, worse, with the whimper of a total non-ending, as some do. No, he was able to whip together an epilogue to tack on to the cliffhanger ending of “Kerplunk,” the last episode to air. But, as he says in an interview with TheTorchOnline.com, he couldn’t even shoot new footage. So he instead devised this CGI tour of the town of Coeur d’Coeurs and its environs—and of many of the settings used for the show, including the windmills, the convent, the Aquacade, the cemetery, the lighthouse, and, of course, the Pie Hole itself. This impressive work of digital wizardry would have cost him in the...